| 1 | Opening | 1:16 | ||
| 2 | Say Goodbye To The Dark Place | 7:11 | ||
| 3 | Lysergide Induction | 5:57 | ||
| 4 | Lambent Interlude 1 | 1:54 | ||
| 5 | Thanatos Awakening | 7:39 | ||
| 6 | Fornicator | 3:46 | ||
| 7 | Vicious Cycle | 6:14 | ||
| 8 | Biomechanical Psychosis | 2:25 | ||
| Drums - Vladimir Tittl | ||||
| 9 | Lambent Interlude 2 | 2:42 | ||
| Engineer - Peter Farnell | ||||
| 10 | The Light At The End ...? | 9:38 | ||
| 11 | Emerald | 5:17 | ||
| 12 | Floating Without Chemistry | 7:24 | ||
| 13 | Evening Calm | 5:41 | ||
Generally a very nicely done production; ideal for relaxing/chilling out to. The harder trance-tracks are beautifully intermixed with the rest of the dreamy, melodic parts.
It starts off beautifully with the initial opening track, which floats into "Say Goodbye To The Dark Place"; an indication (in both title and sound) of the dreamy soundscapes you will soon voyage into.
This sound is then offset by the harder "Lysergide Induction", which moves into the first nicely done transitional part "Lambent Interlude I". The four tracks that are to follow all have a more progressive trance/psy-trance sound -- "Thanatos Awakening", "Fornicator", "Vicious Cycle" and "Biomechanical Psychosis". This section rounds off with part II of "Lambent Interlude".
The album then reaches one of its melodic peaks at track 10 - "The Light At The End...?", continues over to a more psy-trance sound in "Emerald", and returns to another of this album's best dreamy tracks "Floating Without Chemistry". Your listening experience is nicely rounded off with "Evening Calm".
One can note the influences Ollie Olsen has made on tracks 3, 5 & 11 ("Lysergide Induction", "Thanatos Awakening" and "Emerald", respectively). Apparently the collaboration between him and Law came as a result of Psy-Harmonics wanting a trancier (as in psy-trance) sound to the album; as opposed to the experimental, minimal/melodic style Law had used previously (check out the "Experiments In Emotion" album for a more accurate representation of the very beginnings of Zen Paradox.)