Fennesz

Fennesz

Real Name:
Christian Fennesz
Profile:
Christian Fennesz (Vienna, Austria, 1962) started his career as the singer/guitarist/songwriter in the group Maische, one of the more interesting bands to occupy the viennese underground during the late eighties.
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In Groups:
Variations:

Fennesz Discography

Albums

MEGO 016 Fennesz Hotel Paral.lel (Album) Mego MEGO 016 Austria 1997 Sell This Version
ASH 4.8 Fennesz _ Harding* _ Rehberg* Fennesz _ Harding* _ Rehberg* - Dì-n(LP, S/Sided) Ash International ASH 4.8 UK 1998 Sell This Version
TO:40 Fennesz plus forty seven degrees 56' 37" minus sixteen degrees 51' 08" (Album) Touch TO:40 UK 1999 Sell This Version
charhizma 002 Dafeldecker* / Kurzmann* / Fennesz / O'Rourke* / Drumm* / Siewert* Dafeldecker* / Kurzmann* / Fennesz / O'Rourke* / Drumm* / Siewert* - Dafeldecker / Kurzmann / Fennesz / O'Rourke / Drumm / Siewert(CD, Album) Charhizma charhizma 002 Austria 1999 Sell This Version
RHIZ 007 P1.0 Fennesz / Zeitblom / Rantasa Fennesz / Zeitblom / Rantasa - Music For An Isolation Tank(CD, Album) Rhiz Records RHIZ 007 P1.0 Austria 1999 Sell This Version
MEGO 031 Fennesz / O'Rourke* / Rehberg* Fennesz / O'Rourke* / Rehberg* - The Magic Sound Of Fenn O'Berg(CD, Album) Mego MEGO 031 Austria 1999 Sell This Version
RIT 14 Ambarchi* / Fennesz / Pimmon / Rehberg* / Rowe* Ambarchi* / Fennesz / Pimmon / Rehberg* / Rowe* - Afternoon Tea (Album) Ritornell RIT 14 Germany 2000 Sell This Version
MEGO 035 Fennesz Endless Summer (Album) Mego MEGO 035 Austria 2001 Sell This Version
PCD-23325 Fennesz / Jim O'Rourke / Peter Rehberg Fennesz / Jim O'Rourke / Peter Rehberg - The Return Of Fenn O'Berg (Album) Mego PCD-23325 Japan 2002 Sell This Version
AS02 Vainio*FenneszVainio* Vainio*FenneszVainio* - Invisible Architecture #2(CD, Album) Audiosphere AS02 Belgium 2002 Sell This Version
erstwhile 023 Polwechsel / Fennesz Polwechsel / Fennesz - Wrapped Islands(CD, Album) Erstwhile Records erstwhile 023 US 2002 Sell This Version
HEADZ 10, DAT-1 Fennesz Live In Japan (Album) Headz, Headz HEADZ 10, DAT-1 Japan 2003 Sell This Version
DNCD 014 Fennesz Venice (Album) Touch DNCD 014 Japan 2004 Sell This Version
SIG 15001, NT 099 Christian Fennesz* & Mika Vainio & Christian Zanési Christian Fennesz* & Mika Vainio & Christian Zanési - GRM Experience(SACD, Album, Hybrid, Multichannel) Signature (9), Signature (9) SIG 15001, NT 099 France 2004 Sell This Version
erstwhile 043 Keith Rowe / Christian Fennesz* Keith Rowe / Christian Fennesz* - Live At The LU(CD, Album) Erstwhile Records erstwhile 043 US 2004 Sell This Version
hatOLOGY 618 eRikm & Fennesz eRikm & Fennesz - Complementary Contrasts • Donaueschingen 2003(CD, Album, Ltd, DDD) hatOLOGY hatOLOGY 618 Switzerland 2004 Sell This Version
TouchRadio 19 Fennesz / Rehberg* / Toral* & Feliciano* Fennesz / Rehberg* / Toral* & Feliciano* - Live At Vila Nova De Foz Côa, May 29th 1999(File, MP3) Touch TouchRadio 19 UK 2006
TO:76 Fennesz Black Sea (Album) Touch TO:76 UK 2008 Sell This Version
FISH15 Sparklehorse + Fennesz Sparklehorse + Fennesz - In The Fishtank 15 (Album) Konkurrent FISH15 Netherlands 2009 Sell This Version
THRILL 246 Fennesz, Daniell*, Buck* Fennesz, Daniell*, Buck* - Knoxville (Album) Thrill Jockey THRILL 246 UK & US 2010 Sell This Version
TTW#16 Fennesz Szampler The Tapeworm TTW#16 UK 2010 Sell This Version
ASH95 Christian Fennesz* AUN – The Beginning And The End Of All Things (Album) Ash International ASH95 UK 2012 Sell This Version
mm-011 Martin Brandlmayr - Werner Dafeldecker - Christian Fennesz* Martin Brandlmayr - Werner Dafeldecker - Christian Fennesz* - Till The Old World's Blown Up And A New One Is Created(LP, Album) M=Minimal mm-011 Germany 2012 Sell This Version
TouchRadio 73 Fennesz On Invisible Pause(File, MP3, 192) Touch TouchRadio 73 UK 2012
170212DLP Fennesz 17.02.12 Song Cycle 170212DLP Europe 2013 Sell This Version

Reviews

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edpond

edpond

June 29, 2003
Fennesz is contemporary electronic music of the highest calibre. Songs usually consist of skillfull application and manipulation of dense sonic textures with a genuine feel of the live, real-time. There is frequent use of controlled time-smearing which utterly disassembles original sound sources, but avoids a regimented feel. Both live performances I've seen (London QEH 2001, ICA 2003) were awesome.

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