Chris Agnelli and Robbie Nelson have been writing and producing dance music together since 1997. Their massive Balaeric classics 'El Nino' and 'Everyday' have helped define the sound of the Ibiza party spirit, while five UK top thirty hits and countless buzz chart remixes have ensured that the pair remain synonymous with the more musical end of club music.

Robbie and Chris have remixed major artists from rock legends U2 to dance music kings Ferry Corsten and Armin Van Burren. Recent club incursions have been with touch-ups for Matt Darey, Jon the Dentist, Scott Bond vs Solar Stone and former label-mates Chicane. They have provided six guest mixes on BBC Radio One (including two live NYE specials) and appeared on Top of the Pops.

Agnelli and Nelson produce music for Xtravaganza and under pseudonyms (Afterburn, Cortez) for labels such as Tsunami and ID&T. Their most recent original track 'Holding Onto Nothing' was championed by the likes of Oakenfold and Paul Van Dyk, who made a special re-rub of the track for his own Vandit imprint.

On the travel front, the Irish duo have been spinning throughout the world from the U.S. to Japan, as well as regular European and UK dates such as Passion, Godskitchen, Gatecrasher and Slinky. Robbie and Chris are represented in the UK by the Fresh DJ agency and internationally by Dance Therapy (Holland).




Global Clubbing
Two Tribes Festival (Australia) - Twenty thousand Oz clubbers singing 'Everyday'. Tingles down the spine! You drongos.
Passion, Coalville (UK) - Clued up crowd. We always get excited coming to play here as it always goes right off for us.
Centro (Singapore) - Best DJ Booth in the world. The view is amazing, both of the mad crowd and also the ultra-modern city.
Radio One Big Weekend (live link to www.bbc.co.uk/radio1), Derry (N. Ireland) - Emotional homecoming gig in front of ten thousand in one of the most up for it cities anywhere, ever. Easy drive home too.
Spundae (live link to www.spundae.com) (US) - Legendary American club. Its still relatively new and the crowd respond so well its just like the early nineties all over again. Rave on.