Born: May 2, 1972, West Berlin, Germany
Founded
Digital Hardcore Recordings (DHR) together with Peter Lawton, as well as
Geist Records and
Eat Your Heart Out.
Alec Empire's productions have been extremely varied, but he remains most noted for being key in the development of the digital hardcore sound, which was an initiator to breakcore.
Whenever I put on an Alec Empire production (see: Atari Teenage Riot), I listen to it with a sense of fear. It is simply a blend of the hardest styles of music, noise and Digital Hardcore. Some of his productions are acid house-y, some are ambient, but the ones with the most conviction are the hardest. As an audiophile, the sense of fear I approach an Empire production with is unique, I am a masochist for the length of the record, which is a role reversal for me. When I listen to Merzbow, I'm simply in a zone, when I listen to Empire, I must submit or become overwhelmed. As an Atari Teenage Riot fan, exposed via Reznor, I clearly remember the first time I picked up Alec Empire Vs. Merzbow, I was overwhelmed and fell into a sleepish daze, while playing the recording for the first time. Some criticize his harsh sound, they don't understand sound. His breaks and acid house are some of the best, but when I think of that genre, I'll put in Aphex, for uncompromising noise and electronics, I'll often put in Empire. His more melodic punk/rock/industrial is also among his best recordings. Empire has a collection of haters, this is because he is utterly uncompromising. Instead of hate, I have respect for him. As a fellow anarchist, Empire, socialism like fascism is the opposite of anarchy! Carl seemed to get this according to his lyrics, I hope you do to.
As a final note, Empire is one of the most underrated muscians on planet earth, then again most of the unique artists always are, never played on radio, don't get the love they deserve. But the love they get is unique, even if from an otherwise apathetic crowd.