In response to the last few comments about poor Alice (or whatever you want to call them) - I say give them a break already. So what if the majority of the material was ultimately had a pop/top 40 flavour to it? Alice Deejay as an act did two really important things for dance music in general as I see it: 1) They continued the trend that other recent artists like Amber, Jamiroquai, and Basement Jaxx also had made and continue to make - hit singles which are monster songs in clubland (no matter what your genre) but have also played key roles in the continuing exponentital growth of club music at mainstream radio in countries like the U.S. where top 40 radio has become so homogonized its a farce of itself. BUT... even more important, I think, is 2) while there have been an infinite number of incredibly talented female D.J.s (Sister Bliss - need I say more?) and club icons -- Alice Deejay, a real D.J. or not -- broke the gender barrier with music consumers down to even the most informed buyer. Hell it took forever to be able to walk up to a stranger on the street and ask them who the biggest DJ in the world is or who their fave was, etc. and at least get the usual Tiesto out of them instead of a blank stare. Now you can ask those same types of consumers who do you think the world's biggest/your favourite male DJ is you'd still probably get the stock Tiesto answer for the most part... and now you can also ask of them their favourite female DJ is or who the biggest female DJ is, 9 times out of 10 you'll get "oh... oh wait a minute .... that Alice girl - Alice DJ yeah her!"

Sister Bliss (and numerous others) will always command a certain respect from me because she's damn good at what she does - and has managed to be successful despite having to forge her own road. The Alice Deejay crew may not have the incredible breath of musical talent that Bliss does but they -- and in particular Judith Pronk -- gave the world a household name for a DJ who was female to boot. I think that incredible contribution to helping blow away the gender barrier for up and coming (and existing) female D.J.'s is well worth a few trite lyrics here and there. Thank you, Alice (and crew). =)

She is actually he, and they're four of them - Pronti, Kalmani, Danski and Delmundo are the main producers and writers behind Alice Deejay.

Judy is the main singer, whilst Gaby & Jane does backup vocals. And when you put them all together to dance and lipsync you have a top40 hit on MTV. Hooray.

As with "Rollergirl", "Alice Deejay" should have been laid to rest after it's first release; "Better Off Alone" (when they still were "DJ Jürgen presents Alice Deejay"), which wasn't all too shabby. Signum's remix and the instrumental version are actually good tracks.

I'd like to end my review with a quote about our Alice; "..chock full of bleached-white smiles and powdered trance-pop, this girl-centric "collective" from the Netherlands relentlessly pours on the three-minute co-opted dance tricks until even the staunchest defenders of cheese will be reeling in pain". Yeah, that's about it.

She is alrite. Better Off Alone was a great track and Its A Fine day was also good. The Lonley One was descent and thats pretty much all the songs that she had that I liked. The rest all sounded like Better Off Alone rip offs and I didnt care for them. I do wish however that she would come out with some new stuff. And where the hell is she, I cant find any current news or information about her.

Terribly tacky and unrefined. Songs sound like they were made to be pop hits before they were even written. Simple "trance" that rides on its' overuse of one synth to carry a song. Vocals are attached to provide flavor in an attempt to flog a dead club horse.