Björk

Real Name:
Björk Guðmundsdóttir
Profile:
Icelandic singer and musician.

Born: 21 November 1965 in Reykjavik, Iceland.

Well known for her creative compositional style and distinct singing, Björk's recording career began in 1977 at the age of 11, when she released her first album, "Björk" (1977), while studying piano and flute at music school. Although the album became platinum, she refused to make another disco-folk follow-up and, at the age of 13, formed her first short-lived punk band, all-girl alliance Spit and Snot (Saliva and Phlegm), where she played the drums. Later on she was involved in projects such as Exodus and Jam 80, all of which without known record releases.

In 1982 she launched punk-pop Tappi Tíkarrass (Cork The Bitch's Arse), releasing the EP "Bítið Fast Í Vítið" (1982) and album "Miranda" (1983), before she turned into a "serious" rebel by joining forces of the political "existential jazz-punk" of Kukl (Witchcraft), releasing three records. While Björk's vocal expression had matured in Kukl, she attracted worldwide prominence for the first time as one of the lead vocalists of the avant-pop Icelandic sextet The Sugarcubes.

In 1992 she emigrated to the UK, launched a solo career and quickly eclipsed her old band's popularity. Rather than following the Sugarcubes' artsy guitar rock, Björk immersed herself in dance and club culture, working with many of the biggest names in the genre, and receiving remix treatments from Underworld, Dom T., Fluke, µ-Ziq, Goldie, Mika Vainio, Alec Empire, Bogdan Raczynski, Beastie Boys, and others.

Her first album "Debut" (1993) established her new artistic direction and became an international hit, making her one of the 1990s most unlikely stars. Although the album was recorded with producer Nellee Hooper in 1993, its songs were actually composed during the previous ten years while she was in bands.

Björk quickly developed as a producer, moving from co-producer role on her early albums to full producer role in her later work, as her 2009 nomination for the Music Producers Guild Award For Innovation in the category of production testifies. She is well recognized in both pop and experimental music worlds: her album "Vespertine" (2001) became album of the year by The Wire Magazine in 2001 and she won more than 20 awards in Europe and received 15 nominations in the US.

While Björk developed her unconventional song structures, she has worked with many renowned artists, mainly in the realm of electronic music. One of her long-time friends and main collaborators is Mark Bell of LFO who co-produced many of her songs and even co-wrote a number of pieces over the years. There are other artists who played important roles in the creative part of her work: Guy Sigsworth, Icelandic poet Sjón who helped on lyrics for some of her key songs, and video director Michel Gondry.

Acts such as Plaid, Leila, Matmos, Talvin Singh were at times part of her live band. Furthermore, she has done short-term projects together with mnay other artists and producers: Howie B., Graham Massey, Tricky, Eumir Deodato, Mike Patton, Matthew Herbert, John Tavener, Evelyn Glennie; and has sang duets with Thom Yorke, PJ Harvey, Catherine Deneuve, and Anthony Hegarty (of Antony And The Johnsons).
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Artist

  • Björk Discography

    Recent Releases from Björk
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Albums

Björk

(2 versions)
Fálkinn 1977

Björk Guðmundsdóttir* & Tríó Guðmundar Ingólfssonar - Gling-Gló (12 versions)

Smekkleysa 1990

Debut

(93 versions)
One Little Indian 1993

Post

(89 versions)
One Little Indian 1995

Homogenic

(70 versions)
One Little Indian 1997

Selmasongs

(63 versions)
One Little Indian 2000

Vespertine

(73 versions)
One Little Indian 2001

Björk

‎ (CD, Smplr, Promo)
Les Inrockuptibles 2002

Post Live

(5 versions)
One Little Indian 2003

Debut Live

(6 versions)
One Little Indian 2003

Homogenic Live

(6 versions)
One Little Indian 2003

Vespertine Live

(6 versions)
One Little Indian 2003

Medúlla

(60 versions)
One Little Indian 2004

‹Army Of Me› Remixes And Covers

(4 versions)
One Little Indian 2005

The Music From Matthew Barney's Drawing Restraint 9

(31 versions)
One Little Indian 2005

Volta

(38 versions)
One Little Indian 2007

Voltaïc

(15 versions)
One Little Indian 2009

Biophilia

(32 versions)
One Little Indian 2011

Singles & EPs

808 State Featuring Bjork* - Ooops (11 versions)

ZTT, ZTT 1991

Björk Cut By Sabres Of Paradise, The - One Day (2 versions)

One Little Indian 1993

Human Behaviour

(26 versions)
One Little Indian 1993

Björk And David Arnold - Play Dead (16 versions)

Island Records, Island Records 1993

Venus As A Boy

(16 versions)
One Little Indian 1993

Big Time Sensuality

(33 versions)
One Little Indian 1993

Bitten By Black Dog

‎ (10", Promo)
One Little Indian 1993

Reviews & Discussion

Show all 9 reviews Post Your Review or Comment

kuma.chan

kuma.chan Jan 08, 2010
Bjork has reinvented the single. Each one comes as a fantastically wasteful package with a whole bunch of inner sleeves and oversized box, fancy bullshit graphics, £30 price tag for a double 12" with a tacked on cd single with the same tracks and a single track video. Don't think about coming out with some politically correct greentalk bullshit after these Bjork, each copy snips another millimetre off the ozone layer! What happened to the plain sleeve and the £10 price tag? Who wants to fight with lorryloads of glossy cardboard to get a record out and play it?

Crijevo

as reviewed by Crijevo May 27, 2004
I remember first time hearing Bjork and her Sugarcube-mate Einar Orn screaming and shouting to the point where you couldn't tell one from another - and at some point it irritated the hell out of me but didn't stop me from falling in love with their music... Then Sugarcubes disbanded and Bjork went on and 'Human Behaviour' seemed a nice start of a solo career - athough many omit the fact she already released an obscure standards album when 12, somewhere in 1977... 'Debut' was a nice continuation without our ability to place her in any of explored musical drawers, as Bjork simply tells the truth - she sings and paint with emotions on equal terms. After 'Post' things seemed to be a bit worn-out for me personally and the more she exposed herself, the more it started getting on my nerves... Until I saw her live during 'Vespertine' and said to myself: hey - this lady isn't faking anything. She is just the way she is. She tells us the truth -beautiful, haunting, mesmerising, disturbing. Always as wild and temperamental while sensitive and fragile all the same. The closest a human being ever got to mother nature.

mudslut23

as reviewed by mudslut23 Jul 30, 2003
Sometimes you're sitting in your bedroom drawing or writing or creating music or something. And you just feel like you have so much talent and creativity. And then along comes Bjork to totally blow you out of the water. She's insanely genius at pretty much everything (writing, singing, performing, album artwork, videos, websites and now acting) and never does anything half assed. A constant reminder to other artists on how far they can, and have, to go. Always pushing boundaries! Fantastic to watch and listen to.

wombat2

as reviewed by wombat2 May 20, 2003
Bjork is a true artisan and adapts technology to accent her eccentric, powerful and emotional vocal style rather than employ tech to cover up or “make perfect”.

A powerbook tweaker as well as notebook scribbler, Bjork is what genuine talent and ingenuity looks like.

She is a breath of fresh air in these days of insipid synthetic diva/vixens.

iconocLast

as reviewed by iconocLast Nov 09, 2001
edited over 11 years ago
;quite simply, the finest electronic music artist i have ever experienced, and one of the finest vocalists. each album she crafts pushes the envelope of her mainstream music-voice, while maintaining a firm collaborative foothold in bleeding edge electronic music and its finest artists; each is an inexplicable beautiful work of art: intensely personal, wholly unique, consummately detailed, and, paradoxically, both violently and subtly emotive.

;there will only ever be one björk.

;cRaig

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