ClockDVA

Profile:
One of a batch of groups forming the so-called "industrial" scene of Sheffield in the early 80s, Clock DVA's first release was, appropriately, on Throbbing Gristle's Industrial label. The cassette-only (until its re-release in 1990) White Souls In Black Suits featured Adi Newton (vocals, ex-the Studs; the Future; Veer), Stephen James "Judd" Turner (bass, vocals, guitar, ex-Block Opposite), David J. Hammond (guitar), Roger Quail (drums) and Charlie Collins (saxophone). However, there had already been three previous line-ups, including synthesizer players Joseph Hurst and Simon Mark Elliot-Kemp. In 1981, the band (with new guitarist Paul Widger) offered Thirst, available through independent label Fetish. With the ground for such "difficult music" having been prepared by Throbbing Gristle, the press reaction was remarkably favorable. Nevertheless, the band disintegrated at the end of the year, and tragedy struck with the death of co-founder Turner. Newton kept the name while the three other surviving members joined the Box. By 1983, replacements had been found in John Valentine Carruthers (guitar), Paul Browse (saxophone), Dean Dennis (bass) and Nick Sanderson (drums). A brace of singles prefaced Advantage, their first album for Polydor Records. The following year Carruthers and Sanderson departed, and Clock DVA continued as a trio. Though it would be five years before a follow-up, Newton was kept busy with his visual project Anti Group, The (TAGC), and several singles. Buried Dreams finally arrived in 1989. By the time of 1991's Transitional Voices, Browse had been replaced by Robert E. Baker, of TAGC. The departure of Dennis left the remaining duo of Newton and Baker to record a selection of material for the Contempo label in the middle of the decade.
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Shortcut Code: [a21351]
Data Quality Rating: Correct

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Discography

Releases:
Advantage (Album) (2 versions)   Polydor ... 1983
Resistance (12")   Polydor, Polydor 1983
The Hacker (12")   Wax Trax! Records 1988
Buried Dreams (Album) (2 versions)   Interfisch ... 1989
Sound Mirror (Maxi) (2 versions)   Wax Trax! Records ... 1989
Transitional Voices (Album) (2 versions)   Interfisch 1990
White Souls In Black Suits (Album) (3 versions)   Contempo Records 1990
Final Program (12")   Contempo Records 1991
Man-Amplified (Album) (4 versions)   Contempo Records ... 1991
Bitstream (Maxi) (2 versions)   Contempo Records 1992
Thirst (Album) (3 versions)   Contempo Records ... 1992
Eternity (CD, Maxi)   Contempo Records 1993
Sign (Album) (2 versions)   Contempo Records ... 1993
Tracks Appear On:
1980: The First Fifteen Minutes (7", Comp) Brigade Neutron Records 1979
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Reviews & Discussion

Review by Alain_Patrick Aug 24, 2006 (edited over 3 years ago)
There is something about the introspectiveness and experimentation on Clock DVA's art that is really fascinating. The obscure perspective was unique - specially on "Buried Dreams", among the highest standards for avant-garde electronic music albums ever.
It's amazing how this English formation could blend the tastes of minimal ("Transitional Voices", "Sound Mirror"), experimental ("Sonology Of Sex", "The Unseen"), introspectiveness ("The Reign, Velvet Realm"), with sensuality (on "Buried Dreams", the most sexy vanguardist music you could imagine), melted with a natural sense of darkness.

"Transitional Voices" and "The Reign" were real dancefloor anthems on the underground Industrial / EBM clubs in São Paulo in 1990-1991, thanks to connaisseurs such as DJ Magal and Mellão from Muzik.

Clock DVA remains an essential Electronic Act of the Avant-Garde Electronica, just like groups such as Cabaret Voltaire, Klinik, Tangerine Dream, Model 500, Kraftwerk & Riuichi Sakamoto.
Review by adamx Jul 23, 2004 (edited over 5 years ago)
Clock DVA's Buried Dreams album is the #1 soundtrack to my darkest sexual pleasures & fantasies.If you like dark sexy machine made music this album must not be overlooked.
There hasnt been one girl Ive played this album for that didnt feel the same way.Highly recommended
Review by Crijevo Jun 17, 2003
Clock DVA evolved from their early electronics/avant garde collective into a more sophisticated electronics/avant garde collective only with a virtual difference to once a more conventional line-up. Obsessions with science and social deviance made their sound go for various debates whether the group were self-indulging in the wake of Kraftwerk as the closest comparison but their influence shoudn't be understated. They cut their own path and we should hail them for their music is some of the most uncompromising statement of the modern age.
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YouTube Videos

Clock DVA - Axiomatic and Heuristic - CLIP