Delerium

Profile:
Side-project of Front Line Assembly members Bill Leeb and Rhys Fulber, formed 1986. Released material in a similar style to Enigma of Sadness fame but with less Gregorian chanting. Later gained far wider recognition after being remixed by various trance acts.
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[a2077]
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Artist

  • Delerium Discography

    Recent Releases from Delerium
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Albums

Faces, Forms And Illusions

(5 versions)
Dossier 1988

Morpheus

(6 versions)
Dossier 1989

Syrophenikan

(4 versions)
Dossier 1990

Stone Tower

(4 versions)
Dossier 1991

Spiritual Archives

(2 versions)
Dossier 1991

Spheres II

(2 versions)
Dossier 1994

Spheres

(2 versions)
Dossier 1994

Semantic Spaces

(8 versions)
Nettwerk 1994

Karma

(18 versions)
Nettwerk 1997

Poem

(14 versions)
Nettwerk America 2000

Odyssey - The Remix Collection

(3 versions)
Nettwerk 2001

Chimera

(8 versions)
Nettwerk 2003

2 Originals Of Delerium: Semantic Spaces + Karma

(2 versions)
Synthetic Symphony 2003

Nuages Du Monde

(4 versions)
Nettwerk 2006

Nuages Du Monde

(CD, Promo, Adv)
Nettwerk 2006

Voice: An Acoustic Collection

(2 versions)
Nettwerk 2010

Singles & EPs

Euphoric

(6 versions)
Third Mind Records, Third Mind Records 1991

Incantation

(2 versions)
Nettwerk 1994

Flowers Become Screens

(3 versions)
Nettwerk 1994

Incantation / Flowers Become Screens

(CD, Maxi)
Synthetic Symphony 1995

Euphoria (Firefly)

(4 versions)
Nettwerk America 1997

Duende

(3 versions)
Nettwerk America 1997

Silence

(45 versions)
Nettwerk 1999

Heaven's Earth (Matt Darey Remix)

(8 versions)
Nettwerk 2000

Delerium Featuring Leigh Nash - Innocente (Falling In Love) (21 versions)

Nettwerk 2001
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Reviews & Discussion

Review by Mar 09, 2008
Delerium's ambient days were the best of their career. In the early nineties they produced massive, long, and mindblowing ambient music that was very atmospheric but dark. These albums were not as popular as their later Karma and Poem, but they were significantly less commercial, as both Karma and Poem featured Kirsty Hawkshaw and several other vocalists. Their style turned from dark ambient to an electronic pop music, but fans of both styles can appreciate their diversity. Personally, I preferred their older sound, but their new sound ushered in a new wave of electronic music fans, and the anthems of Silence and Innocente received much worldwide airplay.
Review by IntelliGiant Sep 22, 2006 (edited over 5 years ago)
One may define the stile as a chill-out, referring to the BPM, beat and used sounds, half electronic, half live. But the mood of the Delerium’s music won't let you to chill, 'cause it's uneasy, disturbed. Poets may say it's above the styles. This one may be the soundtrack to apocalypses.
Delerium's music may be compared to the sound of Orbital, but less melodic, more stress is made to the beat and unfocused disturbed prolonged sounds. The mood is almost the same through the most albums, every track is trying to express another part of an endless universe of sorrow, uneasiness and eternity.
Review by Cassiano Jul 04, 2006 (edited over 5 years ago)
Delerium should please the fans of old-school Enigma, the ones who fell like orphans ever since the shift Michael Cretu decided to give his music after "Voyageur" was released.
Their pre-1994 material is a pretty much darker goth electronica, but from "Semantic Spaces" on they found their way by mixing gregorian and tribal chants with synth beats and gorgeous female vocals.
Delerium became really known in wider audiences after the release of "Silence", song that featured Sarah McLachlan vocals and counted on various DJ remixes, including Tiësto, Airscape and Fade.
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