Dina started her production work at the tender age of 4 on a Casiotone. While she toured successfully for many years, she later became embroiled in a fierce legal battle when it came to light that she merely changed the octaves on the demo song and stole whistling samples from the homeless, who she THOUGHT would never find out.

After losing everything she had, she rebuilt her career singing jingles for processed cheese ads, providing her with the wherewithal to become a professional speaker dancer, which she plans on doing until her hip gives out (as of this review, September 2009, it has been predicted that this will happen by next Easter).

Dina Slavensky plans on having most of her newer work released post-posthumously in some sort of incarnation where she can truly appreciate it.