Many see Dino, and the Schematic label in general, as retredding old territory, not bringing much new to the table. But what proves that wrong for me is this inevitable sense that there's a man who just likes to have fun with his art behind the glitches, a crusty DIY aesthetic, and the real introduction of concrète sounds. It gives the work a imperfectly beautiful touch, and especially works for people like me who want to see more collaboration between the glitch/post-idm whatever crowd and the new american noise set.