Fat Boy Slim

Real Name:
Norman Quentin Cook (born Quentin Leo Cook — name changed by deed poll in 2002)
Profile:
Born in the UK as Quentin Leo Cook on 31 July 1963. Married to radio DJ & television presenter Zoë Ball, thus son-in-law of British television personality Johnny Ball.

Not simply a DJ, Norman Cook has surpassed this role as a producer whilst using one of many aliases; the chief one being Fatboy Slim.
Many UK DJ's have managed to crossover to a large extent in the US and beyond, however Norman Cook, under alias Fatboy Slim, has done much more than this.
Rather than being a faceless behind the decks head-down DJ, Norman's exuberant character whilst performing on the decks simply takes any audience with him regardless of the country or culture he is playing to.

His devotion to his chosen place of residence, Brighton, is legendary, even donning "I Love Brighton" T-shirts on occasion. Despite massive pressure to go wholly with a major label, he continues to stick with his original Brighton-based label Skint Records. He also has put-on two massive free beach parties on Brighton beach, as a thanks to the love and respect fellow residents of the city have given him.
On New Years Day 2007, he held the third beach event. Whilst it was forced to be scaled down and ticketed --due to Brighton City Council's heath & safety concerns-- this event shows his devotion to Brighton remains undiminished.
He staged a fourth event on Saturday 27 September 2008, "Big Beach Boutique 4" for Brighton residents only, just in time for the end of summer.
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Artist

Shortcut Code: [a3101]
Data Quality Rating: Needs Vote

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Discography

Releases:
Everybody Needs A 303 (CD, Maxi)   DanceNet 1996
The Rockafeller Skank (CD, Single, Promo)   Skint Records, Skint Records 1998
Remixes:
Stand Up (CD, Single, Promo) Stand Up (Fat Boy Slim... Def Jam South 2003
DJ Only 89 (2xCD, Comp) Eanie Meanie (Fat Boy ... DMC 2006
Selector Series Guide To Lampin' Presents: Summer Indie Hip-Hop Sampler 2009 (File, MP3) Laughing At You (Fat B... The Orchard 2009
Production:
Y4K → FreQ Nasty - Next Level Breaks (CD, Comp, Mixed) Retox (Freq Nasty Y4K ... Distinct'ive Breaks Records 2002
Appears On:
F.A.C.T. 2 (2xCD + Box) Everyone Needs A 303 Worldwide Ultimatum Records 1997
Malkasten (Lounge & Club MK-2) Vol. II (CD, Comp + CD, Comp, Mixed) In And Out Of My Life ... y3k1 2000
Masif Hard Trance Anthems Vol 1 (12", Smplr)   Masif 2007
Tracks Appear On:
F.A.C.T. 2 (Comp) (2 versions) Everyone Needs A 303 Worldwide Ultimatum Records 1997
Zipper : Techno Mode D'Emploi (CD) Song For Lindy Zipper 1997
Essential Selection '98 (Comp) (2 versions) Gangster Trippin FFRR 1998
Rave Raider (CD, Comp) Michael Jackson AB Disques 1998
Chillout In Ibiza (2xCD, Comp) Right Here, Right Now,... Smart TV 1999
Hit Machine Number 23 (CD, Comp) Rockafeller Skank Festival Records 1999
Puissance Techno 7 (CD) Star 69 Omnisounds 2001
Slinky Presents Superclub DJ's John Kelly (2xCD, Mixed, Comp) Star 69 (Accapella) Slinky Music 2001
Underground Beats (Series 5 Volume 1) (2xCD, Comp) Song For Shelter (20:2... CD Pool 2001
Y4K → FreQ Nasty - Next Level Breaks (CD, Comp, Mixed) Retox (Freq Nasty Y4K ... Distinct'ive Breaks Records 2002
Q Presents: Glastonbury 2003 (2xCD, Comp) Praise You Emm Records 2003
Feel Da Muzik (CD, Dig) The Joker (ATFC's Aces... MacroVision Records 2005
Play It Loud (2xCD, Comp) Praise You Universal Music TV 2007
▸ show all 6 reviews

Reviews & Discussion

Review by budnik May 11, 2008
"Fatboy Slim is F***ing in Heaven"

Here is a guy who is all about the party. We'll come onto his music in a bit. The guy has a lot of personality, he's not po faced, he is a great showman. Hell, some of the shirts he wears have more personality than some of his DJ peers. As a DJ, he is very, very good. He's not cool, not upfront or up himself and he's not that amazing technically - but who cares? He just plays records to make people dance and usually himself too. He was particularly mindblowing in the old Big Beat Boutique/Heavenly Social days (he used to be resident there with the Chemical Brothers - whom he inspired! - also, imagine having those as your residents!!!) when the whole "big beat" sound was big around 1998 time. Recently, i feel he's not as fresh as what he was however.

His music? Well, up until "Halfway Between The Gutter And Stars" LP, his music was great. After that, he kinda doesnt know what he wants to do with himself. He's trying to follow the trends.

On his early work he's kinda like DJ Shadow, only not as serious. It's that old British sense of humour shining through which seperates them. You have to hand it to Fatboy, he certainly knows his funk and obscure rock. He definately has an ear for a nice sample. His early remixes he did and the first 2 LP's were fantastic. I think the best tune he ever did was a b-side though - "Sho Nuff" (b-side to "Praise You"). I heard this on a live broadcast from Radio 1 in 1999, i had to smile to myself, and the tune always does make me smile. It's such a great dance tune, and just leaks what to me, Funk is all about.

I think you'd be hard pushed to find anyone who's attended a Fatboy gig and not had laugh, a bit of a dance and acted a bit silly and had a damn good time - which at the end of the day, is what this dance malarky is all about isnt it?
Review by Apeman Jan 19, 2008
Right About Now, The Funk Soul Brother!

Fatboy Slim (Norman Cook) is probably the most well-known DJ/Dance Producer to the average joe, and one of the longest-running too. Started DJing in the late 1970's, but began his mainstream success in Indie group, "The Housemartins", as the Bass Player. As he was crap at playing traditional instruments, Norm dumped the bass for the turntables, doing various remixes, and later formed Beats International around 1990. He was also in other outfits including Pizzaman, Mighty Dub Catz, Freakpower etc.

But his main success has been the super-popular sample-heavy Big Beat madness, that is Fatboy Slim. Tunes full of silly vocals, heavy drums, acid squeaks, and riffs from obscure Rock and Funk records.

As a DJ, he is pretty good (Amazing during 1996-1998, AKA the Boutique days), and his "On The Floor At The Boutique" CD is highly reccomended.

His productions however, While Better Living Through Chemistry is more underground-y, his most (in)famous album, You've Come A Long Way Baby is a must have for good crossover dance music.

As Big Beat's popularity declined when the 2000's kicked in, Fatboy became a refugee of the genre, and is one of the few artists (one of the others being collabarator Freddy Fresh) still making Big Beat today.

Overall, Nice guy, Good DJ and Great Producer
Review by dubdotcom May 02, 2005 (edited over 4 years ago)
I remember seeing a Channel 4 show that featured the Housemartins in 1986, a band that norman cook played bass for (and had the top hit 'Happy Hour'). In the show Norman was always DJing in his bedroom and scratching and playing records, so i'll give him credit for his genuine interest.

When he ended up being Fatboy Slim i hated most of his shite, but i will say his remix of E.V.A. and Psyche Rock on (Métamorphose - Messe Pour Le Temps Présent) both are very good. Yeah sure the popular loop laden tracks aren't 'clever' or 'artistic' but they move something. And thats good.

I agree with the shameful graverobbing comment though - there are very few artists with the skill to take an old funk or soul sample and use it well, but then again, there are so many collectors out there with rare tracks that they've done nothing with except play them for their collector mates.
Review by brado50 Oct 05, 2004 (edited over 5 years ago)
Why all the discussion about "You've Come A Long Way Baby"? Has everyone forgotten about "Better Living Through Chemistry"? In my opinion that was his best album. It seemed that each one after that became a little less listenable than the previous, mainly because the same type of formula/sound was used in each song. You knew pretty much what to expect from him, and what the song would sound like before you listened to it. Before anyone blows their stack, I'm not saying he's crap; Just past his sell by date. "Halfway Between the Gutter and the Stars" and "Palookaville", pretty much sounded like weak rehashes of earlier albums with a slight attempt made to sound different, that just didn't, for lack of a better term, sound different... Although I still look forword to hearing his remixes, I can honestly say that I've purchased my last Fatboy Slim full lenght album.
Review by timkatt Jan 20, 2003
The end goal of every artist is to be successful; unfortunately alot of people equate success to selling out. Well if your selling out every show you play then your doing something right. Good and bad are opinions, in my opinion Norman Cook is great at what he does and I for one like his music. In the end if you like what you hear you'll listen if you don't like it you can always turn the channel or turn it off.
Review by DRUMnBASSchick Aug 20, 2001 (edited over 8 years ago)
I agree that 'You've Come A Long Way, Baby' is an excellent album. If people can't appreciate the talent of Norman Cook, and just what it takes to have the ability to make this music, that's their problem, not the artists'. Not everyone has the same taste in music, but to say that music is no good just because you don't like it is shameful in itself. Fatboy Slim is a great artist, producing a wide variety brilliant music.
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YouTube Videos

Fatboy Slim-Song for Lindy