F.Zappa
Real Name:
Frank Vincent Zappa
Profile:
Born Frank Vincent Zappa, December 21, 1940 in Baltimore, Maryland, USA. Died on December 4th, 1993 in Los Angeles, California, USA. Frank Zappa was one of the most accomplished composers of the rock era. His music combines an understanding of and appreciation for such contemporary classical figures as Igor Stravinsky, Karlheinz Stockhausen and Edgard Varèse with an affection for late '50s doo-wop rock & roll and a facility for the guitar-heavy rock that dominated pop in the '70s. But Zappa was also a satirist whose reserves of scorn seemed bottomless and whose wicked sense of humor and absurdity have delighted his numerous fans, even when his lyrics crossed over the broadest bounds of taste. Finally, Zappa was a very prolific record-maker in his time, turning out massive amounts of music on his own Barking Pumpkin Records label and through distribution deals with Rykodisc and Rhino Entertainment Company after long, unhappy associations with industry giants like Warner Bros. Records and the now-defunct MGM. In the '80s, Zappa gained the rights to his old albums and began to reissue them, at first on his own and then through Rykodisc. He wrote his autobiography and embarked on a world tour in 1988. That was the end of his live performing. In late 1991, it was confirmed that Zappa was seriously ill with cancer. Nevertheless, his schedule of album releases continued to be rapid. The Zappa Family Trust continues to this day with posthumous releases and remasters of the old catalog.
Inducted into Rock And Roll Hall of Fame in 1995 (Performer).
Inducted into Rock And Roll Hall of Fame in 1995 (Performer).
Sites:
globalia.net/donlope/fz/lyrics/index.html, Wikipedia, zappa.com, zappa-analysis.com, mywebpages.comcast.net/umrk
Aliases:
In Groups:
Variations:
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Frank Zappa
| Appaz
| F. Zappa
| F.Z.
| F.Zappa
| Francis Vincent Zappa
| Franck Zappa
| Frank
| FZ
| Zappa
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Discography
| Appears On: | ||||
| Power Pack (LP, Comp) | Bobby Brown | K-Tel International GmbH | 1980 | |
| Nightlife In Tokyo (LP, Album) | Bobby Brown | Erkrankung Durch Musique | 2001 | |
| Tracks Appear On: | ||||
| Power Pack (LP, Comp) | Bobby Brown | K-Tel International GmbH | 1980 | |
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Reviews & Discussion
Frank Zappa's work represents a unique duality of uncompromising note-perfect pieces, from serious instrumental and vocal compositions, to the theater of the aurally and visually absurd- in which was usually hidden a serious underlying message, such as "Thing Fish". This duality can firstly be viewed as a presentation of hugely diverse 'straight' works, touching on his influences and inspirations in doo wop, R & B, blues, musique concrete, classical and the theatre. Secondly, as a range of works interspersed with 'bizarre' pieces of acidic sociopolitical parody that go beyond the superficial expression "novelty record" to publicly expose his acute observations of the seamy underbelly of our oft dysfunctional society.
Zappa adroitly used both these forms, right from his first album in 1966 to the end of his life, maintaining the fact that he was an unparalleled artist who moved with the times and consistently pushed the envelope of musical possibility. He never suffered fools gladly and, as a member of his band, artists needed to be both drug-free and on the money with their chops. An astounding array of artists have worked with Zappa through his career and collectors of these alumni should, without doubt, have these performances with the maestro in their files.
If Zappa had a vice, other than a surfeit of cigarettes and a scorched weeny sandwich habit, it was work. Rather than sticking his money up his renowned nose he spent a huge deal of it on his UMRK home & mobile studios, his instrumentation and his special-effects equipment, each adding to his ability to precisely capture the work in hand. From very early on Zappa would individually record his artist's performances on stage, enabling him to cut or mix selected pieces into a final recording. Later works would also reveal his skills in the art of Xenochrony, as a hitherto unrealized compositional tool. Zappa served his apprenticeship in the area of production as early as 1963 at the Pal Recording Studio in Cucamonga, which he eventually purchased and re-named "Studio Z". It was here that much of the thrust of Zappa's musical direction was formulated working alongside Paul Buff, who produced the surf sounds of The Surfaris & The Chantays among others, and where his future creative associations with artists such as the Magic Band, the Gardner brothers, Euclid James Sherwood, Ray Collins and Don Preston were truly forged. Much of this early material can be found on "The Lost Episodes" CD.
An innate humor and mischievousness, both vocal and instrumental, exists in the overview of Zappa's work. There are many reoccurring "project/object" themes to be discovered, often referred to as his "conceptual continuity", in a list that encompasses the subjects of groupies, dogs, religion, cheapness, mud sharks and sex-aids, to name but a few. By having his entire recorded catalog to hand, Zappa has been able to interject or modify such themes as an additional enjoyment for collectors of his work to mythologize over.
Should you ever find yourself twisted enough to be searching the database for artists such as Edgard Varèse, John Cage, Karlheinz Stockhausen, Charles Ives, Hubert Sumlin, Baby Ray & The Ferns, Don Van Vliet, Igor Stravinsky, Kurt Weil, Arnold Schoenberg, Conlon Nancarrow, Pierre Boulez, and Nicolas Slonimsky you must also, for the sake of posterity, utter the mantra "And Frank Zappa". An exemplary artist, composer, lyricist, and one of the greatest guitar-players in the history of music, who recorded in excess of 50 albums, and who's work will continue to inspire for generations to come.
Check out a recording in your father's toolshed, on the tour bus, in a closet, or simply on the sofa, today!
Zappa adroitly used both these forms, right from his first album in 1966 to the end of his life, maintaining the fact that he was an unparalleled artist who moved with the times and consistently pushed the envelope of musical possibility. He never suffered fools gladly and, as a member of his band, artists needed to be both drug-free and on the money with their chops. An astounding array of artists have worked with Zappa through his career and collectors of these alumni should, without doubt, have these performances with the maestro in their files.
If Zappa had a vice, other than a surfeit of cigarettes and a scorched weeny sandwich habit, it was work. Rather than sticking his money up his renowned nose he spent a huge deal of it on his UMRK home & mobile studios, his instrumentation and his special-effects equipment, each adding to his ability to precisely capture the work in hand. From very early on Zappa would individually record his artist's performances on stage, enabling him to cut or mix selected pieces into a final recording. Later works would also reveal his skills in the art of Xenochrony, as a hitherto unrealized compositional tool. Zappa served his apprenticeship in the area of production as early as 1963 at the Pal Recording Studio in Cucamonga, which he eventually purchased and re-named "Studio Z". It was here that much of the thrust of Zappa's musical direction was formulated working alongside Paul Buff, who produced the surf sounds of The Surfaris & The Chantays among others, and where his future creative associations with artists such as the Magic Band, the Gardner brothers, Euclid James Sherwood, Ray Collins and Don Preston were truly forged. Much of this early material can be found on "The Lost Episodes" CD.
An innate humor and mischievousness, both vocal and instrumental, exists in the overview of Zappa's work. There are many reoccurring "project/object" themes to be discovered, often referred to as his "conceptual continuity", in a list that encompasses the subjects of groupies, dogs, religion, cheapness, mud sharks and sex-aids, to name but a few. By having his entire recorded catalog to hand, Zappa has been able to interject or modify such themes as an additional enjoyment for collectors of his work to mythologize over.
Should you ever find yourself twisted enough to be searching the database for artists such as Edgard Varèse, John Cage, Karlheinz Stockhausen, Charles Ives, Hubert Sumlin, Baby Ray & The Ferns, Don Van Vliet, Igor Stravinsky, Kurt Weil, Arnold Schoenberg, Conlon Nancarrow, Pierre Boulez, and Nicolas Slonimsky you must also, for the sake of posterity, utter the mantra "And Frank Zappa". An exemplary artist, composer, lyricist, and one of the greatest guitar-players in the history of music, who recorded in excess of 50 albums, and who's work will continue to inspire for generations to come.
Check out a recording in your father's toolshed, on the tour bus, in a closet, or simply on the sofa, today!
God created all men equal. Some men are just a little bit more equal than others. These men are still way behind Frank Zappa. He's an absolute legend for his song writing, stage antics, genius guitar playing, political and social views, humour and beard. For those unlucky souls who have never heard the man do yourselves a favour and take a listen to HotRats, ZootAllures, 200 Motels, Apostrophe or The Yellow Shark.
It's a sin that he died, of prostate cancer, before he could become the president but the world will always be that little bit weirder now that we had him.
Just remember "Don't you eat that yellow snow!"
It's a sin that he died, of prostate cancer, before he could become the president but the world will always be that little bit weirder now that we had him.
Just remember "Don't you eat that yellow snow!"
He really took his music seriously from the very beginning when he started his band The Mothers, and had a strong leadership troughout his career to the very end based on strict rules. Like for instance, if you played in his band and used drugs or showed up drunk before a live show, you got fired on the spot. Quite strange and paradoxal in that period around the 60's and 70's were drugs pretty much florished in rock bands at that time.
His live performances was something very unique as well. In the very beginning of the Mothers period it was quite normal to find band-members crawling around on stage and speakers in vivid frenzy DURING the concert, and STILL be able to perform music. And sometimes inviting audience up on stage to sing, talk or do whatever madness they could imagine. These acts are perfectly represented on the 'You Can't Do That On Stage Anymore' Live series. And that stuff never really happens on stage anymore really to be honest. So in a way, Zappa struck a chord with that title.
Frank Zappa also had pretty much control on everything he put his hands on, on stage, in studio and definatly his recordings and licencing rights. After some time, he took complete control over the rights to his recordings.
And when Zappa didn't spend time in the studio, he toured. Music took up every single day of the year non-stop during his most productive period. And get this: Every single live performance he did was recorded. and those recordings are stored in a vault courtesy controled by his wife Gail. So even though Zappa is gone, there are tons of pre-released stuff yet to see the day. Some people has estimated that it would take years to completely go trough the vault of his recordings. It's just up to Gail to decide what to do with everything.
Shame he didn't write a complete autobiography of his career either. He really saw it all, did it all. And he played and collaborated with the best musicians out there. Therefore he rightfully deserve my biggest respect for his music and compositions.