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◄
(3 versions)
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Moving Shadow |
1992
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Fun For All The Family EP
(12", TP, W/Lbl)
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Moving Shadow |
1992
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Fun For All The Family EP
(12", Promo, Sta)
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Moving Shadow |
1992
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Fun For All The Family E.P.
(12", EP)
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Moving Shadow |
1992
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◄
(11 versions)
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Moving Shadow |
1993
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Deaf In The Family EP
(12", EP)
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Moving Shadow |
1993
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Deaf In The Family EP
(12", W/Lbl, Promo, EP, Sta)
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Moving Shadow, Moving Shadow |
1993
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"The Remixes" By Kaotic Chemistry & Foul Play
(10", Promo, Sta)
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Moving Shadow |
1993
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Deaf In The Family EP
(12", EP, Promo, Sta)
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Moving Shadow |
1993
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The "Remixes" By Kaotic Chemistry & Foul Play (Remastered)
(10")
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Moving Shadow |
1993
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"The Remixes" By Kaotic Chemistry & Foul Play
(10")
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Moving Shadow |
1993
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Deaf In The Family (A Sad Title For An Otherwise Splendid EP)
(12", EP)
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Moving Shadow |
1993
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Lords Of The Null Lines (The Extremely Bootlegged Remixes)
(10", W/Lbl)
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Moving Shadow |
1994
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Lords Of The Null Lines (The Extremely Bootlegged Remixes)
(10")
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Moving Shadow, Moving Shadow |
1994
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Lords Of The Null Lines (Remixes)
(12")
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Moving Shadow |
2003
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Lords Of The Null Lines / Disturbance (Remixes)
(12")
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Moving Shadow |
2003
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◄
(7 versions)
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Moving Shadow |
1993
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The Family We Never Had
(12", W/Lbl, TP)
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Moving Shadow |
1993
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Disturbance (Remix)
(10", MP)
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Moving Shadow |
1993
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Disturbance (Remix) / Half Stepper
(10", W/Lbl, TP)
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Moving Shadow |
1993
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The Family We Never Had
(12", Promo, Sta)
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Moving Shadow |
1993
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The Family We Never Had
(12")
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Moving Shadow |
1993
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Disturbance (Remix) / Half Stepper
(10", Ltd)
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Moving Shadow |
1993
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The Family We Never Had
(12", Pic, MP)
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Moving Shadow |
1994
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◄
(3 versions)
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Moving Shadow |
1993
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Keep It In The Family E.P.
(12", W/Lbl, TP)
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Moving Shadow |
1992
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Keep It In The Family E.P.
(12", Promo, EP, Sta)
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Moving Shadow |
1992
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Keep It In The Family E.P.
(12", EP)
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Moving Shadow |
1993
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Moving Shadow |
1994
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Two On One Issue 4
(12", TP, W/Lbl)
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Moving Shadow |
1994
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Two On One Issue 4
(12")
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Moving Shadow |
1994
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Moving Shadow |
2000
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(2x12", EP)
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Moving Shadow |
2003
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Moving Shadow |
2006
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Not On Label |
1994
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Breakbeat was getting faster. With this came a lot of noise, and not in a good way. Where faster straight 4/4 rhythms would eventually settle into the Happy Hardcore / Gabber 180bpm territory, breakbeats seemed to be getting out of control.
Hyper On Experience came to show everyone how it COULD be done. From their well known anthems such as Assention (To The 9th Level) and Lord Of The Null Lines, to lesser known tracks like Monarch Of The Glenn (that actually paid homage to Happy Hardcore) they helped to set a blueprint for drum & bass, albeit with a much more insane & uplifting vibe.
Their intelligence in production was comparable to very few. Think along the lines of Acen, 4hero and Nebula II. This was not a band who threw together samples without serious consideration.
Not just a band to investigate for people into drum & bass (and even Dubstep), but also for fans of intelligent, hard edged dance music in general.