Jay Jay Johnson
Real Name:
James Louis Johnson
Profile:
b. January 22, 1924, Indianapolis, USA; d. February 4, 2001.
Considered by many to be the finest jazz trombonist of all time.
1941-42: toured with the territory bands of Clarence Love and Snookum Russell.
1942-45: Benny Carter's big band. Made his recording debut (taking a solo on "Love for Sale" in 1943) and played at the first JATP concert (1944).
1945-6: Count Basie's Orchestra.
1946-60: various work with all of the top bop musicians, including Charlie Parker (with whom he recorded in 1947), the Dizzy Gillespie big band, Illinois Jacquet (1947-49) and the Miles Davis 'Birth of the Cool' Nonet. His own recordings from the era included work with Bud Powell and a young Sonny Rollins. He also recorded with the Metronome All-Stars.
1951-2: played with Oscar Pettiford and Miles Davis.
1954-6: formed a two-trombone quintet with Kai Winding that became known as Jay and Kai - various reunions would later happen.
1956-60: led a quintet that often included Bobby Jaspar; began to focus more on his own compositions, starting with 1956's "Poem for Brass" and including "El Camino Real" and a feature for Dizzy Gillespie, "Perceptions"; his "Lament" became a standard.
1961-2: worked again with Miles Davis, and led some small groups of his own.
60s: greater part of time spent writing television and film scores.
By the 70s, Johnson was so famous in the jazz world that he kept on winning Down Beat polls despite the fact that he was not really actively touring or playing. However, starting with a Japanese tour in 1977, J.J. gradually returned to a busy performance schedule; during the 80s he would go on to lead a quintet that often featured Ralph Moore.
Considered by many to be the finest jazz trombonist of all time.
1941-42: toured with the territory bands of Clarence Love and Snookum Russell.
1942-45: Benny Carter's big band. Made his recording debut (taking a solo on "Love for Sale" in 1943) and played at the first JATP concert (1944).
1945-6: Count Basie's Orchestra.
1946-60: various work with all of the top bop musicians, including Charlie Parker (with whom he recorded in 1947), the Dizzy Gillespie big band, Illinois Jacquet (1947-49) and the Miles Davis 'Birth of the Cool' Nonet. His own recordings from the era included work with Bud Powell and a young Sonny Rollins. He also recorded with the Metronome All-Stars.
1951-2: played with Oscar Pettiford and Miles Davis.
1954-6: formed a two-trombone quintet with Kai Winding that became known as Jay and Kai - various reunions would later happen.
1956-60: led a quintet that often included Bobby Jaspar; began to focus more on his own compositions, starting with 1956's "Poem for Brass" and including "El Camino Real" and a feature for Dizzy Gillespie, "Perceptions"; his "Lament" became a standard.
1961-2: worked again with Miles Davis, and led some small groups of his own.
60s: greater part of time spent writing television and film scores.
By the 70s, Johnson was so famous in the jazz world that he kept on winning Down Beat polls despite the fact that he was not really actively touring or playing. However, starting with a Japanese tour in 1977, J.J. gradually returned to a busy performance schedule; during the 80s he would go on to lead a quintet that often featured Ralph Moore.
Aliases:
In Groups:
Coleman Hawkins And His Orchestra, Illinois Jacquet And His Orchestra, J.J. Johnson & His Orchestra, J.J. Johnson Quintet, The, J.J. Johnson Sextet, The, J.J. Johnson's Boppers, Jay Jay Johnson's Be Boppers, Miles Davis All Stars, Miles Davis Sextet, The
Variations:
All |
J.J. Johnson
| J. J. Johnson
| J. Johnson
| J.-J. Johnson
| J.J Johnson
| J.J.
| J.J.Johnson
| Jay
| Jay Jay Johnson
| JJ Johnson
| John "J.J." Johnson
| Johnson
| Willie Dynamite
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