history / edit

Artist

Shortcut Code: [a754]
Data Quality Rating: Correct
131 submissions pending
Add to List

Shopping

Search for this:
 eBay .uk
 Amazon .uk .de
X 6,343 For Sale

Jump To

Lenny D

Real Name:
Leonardo Didesiderio
Profile:
Lenny Dee is a native of New York. He started his career in 1984 DJing in a local roller disco in Brooklyn NYC at the age of 17. Lenny Dee is recognized as one of New York's earliest Techno pioneers. His earlier music consisted of Disco, Electro-Body, High Energy and early House. In 1989, Lenny's musical exploits brought him to Europe, which changed his direction once again. Lenny Dee's DJing career propelled him to be one of the most sought after International Techno DJs in the world. In a Time where DJs remained local for the most part, he became the number one International DJ in Germany, Scotland, France and Switzerland with his new sound - Hardcore Techno - a sound that he is still known for today. Lenny launched Industrial Strength Records in the U.S.A. in 1991 with PCP's 'Mescalinium United', becoming the first Hardcore Techno label in the world and one of the first Electronic Labels in the U.S.A. On a personal front Lenny's productions have always been diverse from his signature hardcore, to techno, house and beyond.
Sites:
Aliases:
Variations:
edit genres sort

Discography

Releases:
Everything Bamboo (2 versions)   Magnetic Dance 1987
Evil Murk 337 (12")   Maximum / Minimum 2003
Mauve 527 (12")   Maximum / Minimum 2004
Remixes:
Confusion (Remix) (12") Confusion (Alternative... Minimal Records (2) 1990
Perfect Life / 747 Tonight (12") 747 Tonight - Unhappy ... One Little Indian 1991
Losing My Mind (Dance Mixes) (CDr, Promo) Losing My Mind (Christ... Jellybean Recordings 2009
Production:
Sure Beats Two (7", EP, Comp, Promo) Make 'Em Rock Record Mirror 1988
Co-production:
Merge (CD, Album) Silly Games A&M Records 1989
Appears On:
Bonesbreaks Volume 1 (Hard, Raw & Raunchy Beats For DJ's) (LP)   Underworld Records 1988
Hard, Raw & Raunchy Beats For DJ's Volume 1 (LP)   Underworld Records 1988
Is It Me Or Is It Her (12")   Tropical Heat 1988
Sure Beats Two (7", EP, Comp, Promo) Make 'Em Rock Record Mirror 1988
Best Of Garage 1 (LP, Comp) Do You Wanna Rock (Clu... Upfront Dance Records 1989
Merge (CD, Album) Willin' To Be Chillin'... A&M Records 1989
Central Nervous System Vol. 1 (CD, Comp, Mixed) Anti-Procrastination Central Station 1994
The History Of Techno Part 1 (2xLP, Comp) Transformer Big Time International 1996
Speedcore (2xCD, Mixed, Comp) Welcome To Jurassick P... Harmless 1998
Rotterdam Records: De Megamiks (2xCD, Mixed, Dig + CD, Comp) Dope Man, I Like Hardc... Rotterdam Records 2007
Rotterdam Records: 15+1 Jaar Feest (2xCD, Comp, Mixed + DVD) I Come From Brooklyn Rotterdam Records 2008
Tracks Appear On:
August 87 - Mixes 2 (12") Everything Bamboo DMC 1987
Techno-Trance-Experience (The Centuries AscenDance) (CD, Comp) Intoxicate Me Eurotrend 1993
The Centuries Ascendance (LP, Comp) Intoxicate Me Eurotrend 1993
Central Nervous System Vol. 1 (Comp) (2 versions) Anti-Procrastination Central Station 1994
Hardcore Heroez Vol. 1 (2xCD, Mixed, Comp) Headbanger Boogie Hitland 2006
Rotterdam Records: De Megamiks (2xCD, Mixed, Dig + CD, Comp) Dope Man, I Like Hardc... Rotterdam Records 2007
Rotterdam Records: 15+1 Jaar Feest (2xCD, Comp, Mixed + DVD) I Like Hardcore Rotterdam Records 2008
Masterbeats Vol. 1 (LP, Comp) Everything Bam Boo (Cl... BCM Records  
The History Of The House Sound Of Chicago • The Essence On 3 Compact Discs (3xCD, Comp) Everything Bamboo (Clu... BCM Records  
Unofficial Releases:
Inter-Dance Live At Sterns - 5th September 1992 (Cass, Mixed, Unofficial)   Dance Floor Studios 1992
edit

YouTube Videos

Looney Tunes Vol. 1- Nothing Stays The Same (HOUSE MIX)
▸ show all 2 reviews

Reviews & Discussion

Review by Time3 Jan 02, 2009
Being at a hardcore party when Lenny's spinning, whether it be in Brooklyn, Syracuse, or somewhere across the globe is a mind-bending experience. Owning the dance floor is way to simple of a term to explain this man's ability to take the sound system to its fullest potential. Many times I would think to myself "This is this amplifier's last leg. There are no electronics that can handle this kind of abuse." At one point I wondered if he used titanium cartridges. But that's Lenny Dee. When he's on there is nothing else happening. And if there is, it's people running for the quiet solace of their beds. I've often felt sorry for the people that couldn't handle the music and ended up leaving early.

If you are brave enough to experience hardcore, you should dance to Lenny Dee.

Review by djfrankiebones Oct 22, 2006 (edited over 3 years ago)
20 years ago right now, we were neighborhood rivals. Growing up in Brooklyn could in fact be Teenage Wasteland.
But Lenny Dee was destined to make a long life from Electronic Music. 1985 would be the first year that Lenny Dee, Omar Santana and myself would find our names on vinyl releases. And they all were on Hip Hop records. Then by chance it was a mutual friend who gave us a chance to make our own records. Tommy Musto just started in-house production at 25 West Records and in 1987, Nugroove and Fourth Floor Records became a place we called home. Lenny produced Fallout "The Morning After" which Warp Records included on its "Influences" project and what followed was release after release of influential works. Even the tiny projects such as "Drumdrops" would become the template for
Snap "The Power". This being a horn blast I watched Lenny do live scratching on a 1200 in my tiny studio.

He then formed The Brooklyn Funk Essentials with Victor Simonelli while working for Arthur Baker at Shakedown Studios. Lenny was now rubbing elbows with people like Nile Rogers from Chic and Arthur took a liking to what he was hearing and a ton of remix work followed. Then Lenny became friends with The KLF which led to more projects and soonafter formed his own Industrial Strength Records.

What Lenny Did totally on his own merit was create a big chunk of Hardcore Gabba music which might have been based in Holland as history goes, but Brooklyn's own from day one. All the biggest names in the Dutch Scene credit him as an inspiration and Lenny continues his legacy to this day. Whereas many people think a scene has come and gone, it has'nt for Lenny. He is playing his style, his way, today, tomorrow and if history repeats itself forever. A good guy with a great history is a man like Lenny Dee.

Lists