Analogous microtonal noises? Antirythmic jumping compacts? Granular generators of frequencies? Souning worms? Sometimes alogic atonality? Or perhaps movement to the purity of sound and harmony of tone and rhythm?
1999 – the first album of PORCH NAP project presented to public - "Messiah's Forecast For Tomorrow" (2000, Fulldozer) – experiments in the area of "athon-arrhythmic", a soundscape overloaded with frequencies symbolizing the end of the millennium.
1998-2002 – music project KROVJ S MOLOKOM (together with Oleg R.) The duet experiments in the field of "agressive polystylistic". The face of the project is a hypermixture with minimalistic trend.
2003-2005 - PORCH NAP performs at different festivals including SKIF-8 (SPb, 2004), No Culture Without Subculture (Minsk, Belarus, 2004), Microleto (SPb, 2005), Noise Vs Glamour (SPb, 2005), periodically gives solo concerts.
1999 – the first album of PORCH NAP project presented to public - "Messiah's Forecast For Tomorrow" (2000, Fulldozer) – experiments in the area of "athon-arrhythmic", a soundscape overloaded with frequencies symbolizing the end of the millennium.
1998-2002 – music project KROVJ S MOLOKOM (together with Oleg R.) The duet experiments in the field of "agressive polystylistic". The face of the project is a hypermixture with minimalistic trend.
2003-2005 - PORCH NAP performs at different festivals including SKIF-8 (SPb, 2004), No Culture Without Subculture (Minsk, Belarus, 2004), Microleto (SPb, 2005), Noise Vs Glamour (SPb, 2005), periodically gives solo concerts.