Radioactive Man is one of releatively few (only Tipper and Carl Finlow spring to mind) solid Electro producers whose work is nearly always reliably genius. He sometimes ventures towards the drum 'n' bass or techno side of things with his work, but he still keeps the sounds original and distinctive. His most notable work as an artist is on his first eponymous album. The album features some blinding classics such as 'The Mezz'- a melancholy ambient electro tune with some amazing drum loops in the latter half of the track combined with a tangibly brilliant sense of timing, and Trespasser which is one of the more danceable-to electro tracks with a thundering bit of tribal bongo style madness.
His latter work is also superb, but nothing matches the hights reached by the eponymous album.

I have a rich collection of electronic music that includes also a lot of IDM/Electro/Breaks classics,but those 2 guys Andy & Kenis... and all they do is just like if you like steaks (music and food are my favorite hobbies). So for me
they are the steak each time with different seasoning,but always tasty and juicy and everything else is other food that is also tasty and different.But you get tired of it after some time, but not the steak, it's always as good as
first time.

kieth tenniswood (AKA RADIOACTIVEMAN)has established himself as a key producer in modern dance music. lending his skills to artists such as David Holmes, Jon Carter, Primal Scream an dot allison. his alliance with with the great Andrew Weatherall has earned him not only a very credible name but very credible music. rock on in radioactive mode!

His new EP "Dive and lie wrecked" is out now. If you are even slightly interested in dodgy electro strangeness, you will love this. Completely fookin' mental, as it contains the fartiest bass noises ever, and the last track is about 200bpm! It shouldn't be too hard to get hold of either (I found it in Virgin for feck's sake!). If you haven't already noticed, I really do like this.

Andy Wetherall's mate has produced an absolute gem of an album. From beginning to end it wades through a big wave of electro-techno-breaks and oddness, finishing with "Uranium". The last track is something everyone should own - a mind-blowing piece of... well, I don't know, it's one of the most distictively original pieces of music for a long time. Not only is it menacingly beautiful, it actually works on the dancefloor too.