RedSK

Just stop complaining dudes. He did advance from 2006. And it's a great advance. Newest stuff is nearly only on CD-R/tapes, but with some research you can find official rips on p2p. Also, TFRPROMOSK0 is a good place to start (Redsk0 CD-R in digital download). They're a great listen to a noise fan like me, while I also dislike some of pre-2009 internet stuff.

I didn't check his all things because there's a kiloton of it. But some of albums I checked show his diversity: sometimes it's straight noise earbleed which I either like or dislike, and sometimes weird experimentalism which I really dig (check "Io, Scuzi!" to hear it). I disagree that it's all utter shit like some people I know say. The internet definitely helped to emerge certain new music types and genres such as desktopcore and RedSK certainly contributes to what I call "internet noise/avant-garde" (it's not all bad!), but I think he tries to do many things at once when he could just relax and focus on some bigger work.

A while ago, I gave a review of RedSK's work.
Well, I guess you could call it a review. What I actually did was rant aimlessly over the course of several paragraphs while simultaneously saying nothing beyond "this artist sucks."
What I'm trying to say is that I don't think my previous review of this musician was very well-executed, so I'm redoing it.
Anyway... RedSK has a rather unfortunate history of making rackets he was unable to own up to, from taking interesting concepts and completely phoning them in to placing emphasis on the wrong aspects (that is, interesting and shocking song titles, offensive artwork, and so on.) His discography is quite full of missteps, such as the high-on-improv, low-on-ideas "Run'a Da Mill," a stint as DJ RedSKeye whose most memorable work was just a bunch of stolen breakbeat tracks fed through an effects pedal, and "Please Kill Me," which, barring the bonus tracks, sounded pretty much like driving an automobile in dire need of repair with the turn signal on.
That being said, he's made up for his mistakes. While it took him a while, around 2010, he showed he could make genuinely engaging works, and a year later, he actually did so, with such pieces as "RedSK0" and his rather impressive contribution to the "I Heart Feedback" compilation, which featured such acts as Severed Fingers and Government Alpha.
In short, I can't recommend everything he did, and I certainly can't recommend anything he did until around 2011, I can quite safely say that he's at least worth paying some attention.