|
◄
(2 versions)
|
Force Inc. Music Works |
2000
|
|
|
Periods.Make.Sense
(2xLP)
|
Force Inc. Music Works |
2000
|
|
|
|
Periods.Make.Sense
(CD, Album)
|
Force Inc. Music Works |
2000
|
|
|
|
|
context |
2000
|
|
|
Deadpan Escapement: Reconstructed
(2xLP)
|
context |
2000
|
|
|
|
Deadpan Escapement: Reconstructed
(CD, Album)
|
context |
2000
|
|
|
|
◄
(2 versions)
|
Force Inc. Music Works |
2002
|
|
|
Incest Live
(2xLP)
|
Force Inc. Music Works |
2002
|
|
|
|
Incest Live
(CD, Album)
|
Force Inc. Music Works |
2002
|
|
|
|
◄
(2 versions)
|
Orthlorng Musork |
2002
|
|
|
Fell
(LP)
|
Orthlorng Musork |
2002
|
|
|
|
Fell
(CD, Album)
|
Orthlorng Musork |
2002
|
|
|
|
(CD, Album)
|
Creaked Records |
2010
|
|
|
(12", EP)
|
Drop Beat Records |
1998
|
|
|
(12")
|
Cytrax |
1999
|
|
|
|
Delay |
1999
|
|
|
◄
(2 versions)
|
Force Inc. Music Works |
2000
|
|
|
Miasma EP
(12", EP, Promo, W/Lbl, Sta)
|
Force Inc. Music Works |
2000
|
|
|
|
Miasma EP
(12", EP)
|
Force Inc. Music Works |
2000
|
|
|
|
|
Delay |
2000
|
|
|
(12")
|
Source Records (2) |
2000
|
|
|
|
Plug Research |
2000
|
|
|
(12")
|
Background |
2000
|
|
|
|
Belief Systems |
2000
|
|
|
(12")
|
context |
2000
|
|
|
(12")
|
Force Lab |
2001
|
|
|
|
Edit |
2002
|
|
|
Network One
(12", Promo)
|
Edit |
2002
|
|
|
|
Network One
(12")
|
Edit |
2002
|
|
|
|
|
M_nus |
2002
|
|
|
Untitled
(12", Promo, W/Lbl)
|
M_nus |
2002
|
|
|
|
Untitled
(12")
|
M_nus |
2002
|
|
|
|
|
Onitor |
2002
|
|
|
|
Delay |
2002
|
|
|
(12")
|
Klitekture |
2002
|
|
|
◄
(2 versions)
|
Microsolutions To Megaproblems |
2003
|
|
|
Hands On Feet EP
(12", EP, W/Lbl, TP)
|
Microsolutions To Megaproblems |
2003
|
|
|
|
Hands On Feet EP
(12", EP)
|
Microsolutions To Megaproblems |
2003
|
|
|
|
|
Active Suspension |
2004
|
|
|
◄
(2 versions)
|
context |
2005
|
|
|
Two Rhapsodies
(Vinyl, Promo, Whi)
|
context |
2005
|
|
|
|
Two Rhapsodies
(12")
|
context |
2005
|
|
|
|
(12")
|
Soul Jazz Records, Microsolutions To Megaproblems |
2005
|
|
How to try to define Sutekh?
Well, for me, after the life, when an individual dies, a sound in the afterlife is listened to. The sound of sutekh.
But in this case the words are superfluous and insignificant.
The aphorisms also.
One of the few minimalistic geniuses.
Without words.