Thomas P. Heckmann

Real Name:
Thomas Peter Heckmann
Profile:
Techno Producer from Mainz, Germany. His first release was as Exit 100 in 1991 on the Force Inc. Music Works label out of Frankfurt. In 1993 he founded Trope Recordings, and its sub-label Acid Fuckers Unite (A.F.U.) the following year. In 1998 he succeeded those labels by starting Wavescape, and its sub-label Sub~Wave in 2000. He currently produces Hard Techno with strong EBM influences, and has been a frequent collaborator with Jörg Henze since 1998.
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[a1287]
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Artist

  • Thomas P. Heckmann Discography

    Recent Releases from Thomas P. Heckmann
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Albums

Thomas P. Heckmann Presents Spectral Emotions - The Labworks Years (CD, Album, Ltd)

Death Becomes Me, Labworks UK 1995

Raum

(2 versions)
Mille Plateaux 1999

Tanzmusik

(2 versions)
Wavescape 2000

Electronic Body Music

(14xFile, WAV)
Wavescape 2006

The Lost Tales Vol II

(CD, Album, Ltd)
Fax +49-69/450464 2008

The Lost Tales Vol I

(CD, Album, Ltd)
Fax +49-69/450464 2008

Singles & EPs

Acid-Pin-Ups-II

(12", W/Lbl, Promo)
JJ 1994

Kobol Tracks № 1

(12")
Djax-Up-Beats 1995

The Choice E.P.

(2 versions)
Thee Blak Label 1996

Mechanisms

(12")
Acid Fuckers Unite (A.F.U.) 1997

Titty Twister

(12")
Electric Music Foundation 1997

Titty Twister Two

(12")
Electric Music Foundation 1998

Backlash / Global Native

(12")
Wavescape 1998

Metropolis / Fahrenheit 451

(12")
Acid Fuckers Unite (A.F.U.) 1998

Thomas P. Heckmann & Marc Romboy - Ultra Vixens EP (6 versions)

Le Petit Prince 1999

Kopfgeister

(12")
Wavescape 1999

Satan & Deibel

(12")
Wavescape 1999

Rache Ist Süß

(12")
Wavescape 1999

Sundance

(2 versions)
Sub~Wave 2000

21st Century Toy

(2 versions)
Missile Records 2000

Dimensions-Disco

(2 versions)
Sub~Wave 2000

Oblivion

(2 versions)
Wavescape 2000

Herz Aus Holz

(12")
Wavescape 2000

Heckmann* / Verbos* - Sequenced (12")

Wavescape 2000

Am See

(2 versions)
Sub~Wave 2001
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Reviews & Discussion

Review by scherben Jun 03, 2005 (edited over 6 years ago)
Heckmann's techno is at its' peak when he gives us his take on EBM. He's the master at peak-time stormers, with sawtooth basslines and excellent use of sounds and percussion underpinning them, usually accompanied by an excellent denouement i.e. EBM 1 and Sundancer. Further, his remixes tend to rework the original track completely, into something that's usually a big improvement on the original.......
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Videos

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