Under The World

Real Name:
Karl Hyde & Richard David Smith
Profile:
Karl Hyde and Rick Smith started out in the mid- and late-1980's as the band that would eventually become today's Underworld, making quirky new-wave pop. British DJ Darren Emerson made their acquaintance in 1992 and helped them refine their sound into something more sleek and beat-oriented, yet still shot through with tinges of blues, rock and spoken-word streams of consciousness. After several releases on Junior Boy's Own as Lemon Interupt, the three of them re-adopted the Underworld name. The trio's first full-length, Dubnobasswithmyheadman, was released in 1994 to rave reviews and is still considered a landmark piece of work today. It spawned several hit singles ("Dark & Long", "Cowgirl", "Dirty Epic") and was followed a couple years later by the "Born Slippy" single and their second album, Second Toughest In The Infants (1996). Underworld's well-praised remixography also continued to grow, including artists such as Björk, Saint Etienne, Simply Red, Massive Attack and Leftfield. After licensing a remix of "Born Slippy" for the 1996 cult classic film Trainspotting, Underworld gained instant worldwide fame and found themselves touring furiously, presenting their renowned, high-energy live act worldwide. Their fame continued to run high through the release of Beaucoup Fish (1999) and Everything, Everything (2000), after which time Emerson left the group to concentrate on his DJ career. The duo continued on, releasing the album A Hundred Days Off in 2002 and an anthology release, 1992–2002 in 2003. From 2004–2006, they took a break from the traditional album/tour cycle, and focused on soundtrack work and online digital EP releases as part of The RiverRun Project. They added DJ Darren Price to their live lineup during this period. In 2007, Underworld released their latest album, Oblivion with Bells, and embarked on a world tour.
In addition to their music, Hyde and Smith are also founding members of a graphic design company, Tomato, which has done high-profile work for clients around the world as well as providing art for all of Underworld's releases. Hyde, along with John Warwicker of Tomato, has published two typographic journals as Underworld Print: Mmm... Skyscraper, I Love You (1994) and In The Belly Of Saint Paul (2003). Beginning in December 2007, Underworld Print began publishing monthly PDF's of the Book of Jam, which focuses on a different theme in each issue.
Sites:
Aliases:
Members:
Variations:
history / edit

Artist

Shortcut Code: [a1280]
Data Quality Rating: Needs Vote

Shopping

X 6,931 For Sale
Search for this:
 eBay .uk
 Amazon .uk .de

Jump To

edit genres sort

Discography

Unofficial Releases:
Road Ring (12", S/Sided)   TSA 2008
▸ show all 7 reviews

Reviews & Discussion

Review by Nov 23, 2005 (edited over 4 years ago)
An excellent group who have produced what I would say is known as "Dark House". Examples of this unique genre would be "Dark & Long (Dark Train)", "Kittens" and "Two Months Off".

Underworld are a very interesting group as they have done songs in a variety of other styles too. The song "Cups" has a jazzy kind of feel to it and "River Of Bass" is a very relaxing and ambient piece.

They have not failed to deliver top-quality tracks. Their appearances on the PlayStation's Wipeout soundtracks are also a real treat too. Even the tracks that don't appear on Wipeout soundtracks go well with the main theme of the game.
helpfulagreedisagree Reply Edit report notify me
Review by Mar 12, 2008
Incredibly overrated indeed. Besides their Dark & Long EP and Rez/Cowgirl, their other hits are very mainstream and don't have much quality to them. It is generally agreed that Beacoup Fish marked the downfall of the group, Emerson's leaving sealed the affair, and since then they have never been the same. Their first two major albums are overrated as well, with only a few outstanding tracks, and as one listener put it: "techno for the masses".

Underworld has made a very mainstream impact with dance music, and I praise them for bringing dance music to the public. But I can't really give them an award for quality when their hype far exceeds their talent.
helpfulagreedisagree (1) Reply Edit report notify me
Review by BS.Dos. Nov 05, 2006 (edited over 3 years ago)
Underworld are, quite simply, national treasure's. Their contribution to the UK music scene, which, lest we forget, provided some of the more memorable and significant sountracks for that much publicized self-indulgent and gourmandizing generation, should surely rank alongside such pioneering and erstwhile luminaries as the Clash, The Pistols and The Stones.
Review by mentasm Aug 12, 2004 (edited over 5 years ago)
One of the best acts of the century? Indeed they are! Fantastic records, real trance-inducing and irresistible. I could listen to their records or remixes for days and days without getting bored.
And live, they're even greater, without a doubt. Seeing them on a stage is a mind-opening experience, I defy anyone not to be moved after attending an UW concert. And I reckon their performance is one of the best in the dance world, but this also applies to all kind of musics. How many rock acts can compete with UW on stage? Well, not many in fact. Mr Hyde stage presence goes beyond many of so-called rock legends, which is so funny, having heard during years that techno groups were lacking life on stage compared to "guitar" groups... Please boys, more of that stuff and many more concerts! THANX.
Review by the_unconformist May 20, 2004
Without a shadow of doubt Underworld were the definition of what modern dance/electronica should be. In an age were (at times) the genre is not taken a seriously as it should be this band prove that they could soundtrack a generation with euphoric anthems and dark ambience in a sheer classical and innovative fashion in the form of their first three fantastic albums. Notably 'Pearl's Girl' for its darkness, intensity and danceability, clearly the best defintion of the band itself and a landmark for those to come...
Review by gingerjulian Feb 09, 2003
Techno for the masses, probably a bit overrated, until you see them live, then it all makes perfect sense.
Review by Dedalus Jun 02, 2001 (edited over 8 years ago)
Hard, dark, intelligent techno of the highest order with magnificent stream-of-consciousness spoken-word lyrics. Never predictable, always mutating, evolving from technological loneliness into the pure frenetic energy of the world. "Born Slippy" (from "Trainspotting") is just the tip of the iceberg.
edit

YouTube Videos

Underworld - Pearl's Girl