| Releases: | ||||
| Monkey Say, Monkey Do ◄ (2 versions) | Dance Trax | 1988 | ||
| Westbam In Seoul (Album) ◄ (2 versions) | Seorabeol Records Co. | 1988 | ||
| The Cabinet (Album) ◄ (3 versions) | Swanyard Records Ltd ... | 1989 | ||
| Alarm Clock / Hold Me Back (12") | Swanyard Records Ltd, Swanyard Records Ltd | 1990 | ||
| Remixes: | ||||
| DJ's Best - 12 German Dancefloor Classics (CD, Comp) | Let There Be House (We... | Ariola | 1990 | |
| Let There Be House (12") | Let There Be House (Th... | Big One Records | 1990 | |
| Smash Da House Vol 3 (2xLP, Comp) | Let There Be House (We... | Virgin Records (Australia) | 1990 | |
| Mix: | ||||
| Ware's The House ◄ (2 versions) | Let There Be House (We... | Stylus Music | 1989 | |
| Appears On: | ||||
| Westbam In Seoul (Album) ◄ (2 versions) | Why She Left Me ..., M... | Seorabeol Records Co. | 1988 | |
| Flying Beat No. 1 (12", Mixed) | Let There Be House | Flying Records | 1989 | |
| The Cabinet (LP, Album) | Cold Train | Low Spirit Recordings | 1989 | |
| Volume 2, Issue Nine (2x12", Promo, Comp) | And Party (Party Mix) | Prime Cuts | 1989 | |
| Ware's The House ◄ (2 versions) | Let There Be House (We... | Stylus Music | 1989 | |
| DJ's Best - 12 German Dancefloor Classics (CD, Comp) | Let There Be House (We... | Ariola | 1990 | |
| Deep Heat 6 - The Sixth Sense (2xCD, Comp) | Hold Me Back | Telstar | 1990 | |
| Deep Heat 9 - Ninth Life - Kiss The Bliss (2xCD) | Kid Get Hyped, Kid Get... | Telstar | 1990 | |
| Dancetracks (LP) | Let There Be House (We... | Big One Records | 1991 | |
| Dee Jay Compilation (Cass, Comp, Mixed) | Kid Get Hyped | Discomagic Records | 1991 | |
| Dee Jay Megamix (12", Mixed) | Kids Get Hyped | Discomagic Records | 1991 | |
| Megabass 3 (LP, Comp, Mixed) | Kid Get Hyped, Weekend | Telstar | 1991 | |
| Tracks Appear On: | ||||
| November 88 - Mixes 2 (12") | Monkey Say Monkey Do | DMC | 1988 | |
| Rhythm Stick 1-9 (2x12", Comp, Promo) | Cold Train ("The Ice M... | Rhythm Stick | 1989 | |
| Volume 2, Issue Nine (2x12", Promo, Comp) | And Party (Party Mix) | Prime Cuts | 1989 | |
| DJ's Best - 12 German Dancefloor Classics (CD, Comp) | Monkey Say Monkey Do | Ariola | 1990 | |
| Deep Heat 6 - The Sixth Sense (2xCD, Comp) | Hold Me Back | Telstar | 1990 | |
| July 91 - One (12") | Bring That Beat Back, ... | DMC | 1991 | |
| F.S.U.K. (2xCass, Promo) | Alarm Clock | Open | 1997 | |
| Royal DJs: Электро Осень (Cass) | Dancing With The Rebels | Moon Records (2) | 2005 | |
| Happy Hardcore Top 100 Best Ever (3xCD, Comp, Mixed) | Celebration Generation... | Cloud 9 Music BV | 2009 | |
BUT!
Westbam has developed a style which, IMO is one of the most - if not THE most unique style any techno DJ has ever created. His merge of 4/4 breakbeat with electro beats and rave RULES the big room rave like nothing else. You can send in any rockaholic dummy and he/she would most likely fall into the crowd and party with the rest.
Shure, it´s commercial. Sure there´s not a visible spot free from the logos os Playtation, Motorola, VIVA etc. But at least the money buys you technique better than anywhere else. The best sound, nice light and some visuals - when you compare it to, say I Love Tehcno, there is a long way to go for those Belgium promoters, when speaking in terms of a great setup.
Also I think that Celebration Generation and the whole album Right On are absoulutely AWESOME!!! Right On sounds like NOTHING else and is really a great work of techno art. Whenever I try and push "my" music to non-electronic people and I want to give them something besides DJ-sets, this is the only non-Underworld/Basement Jaxx/Fat Boy Slim/Daft Punk album they will listen to.
PS: He really should leave some of the scratching alone, but he´s a brilliant mixer. I have heard sets (fx Münsterland dec 2003) where he creates a great flow, using loops from the battlevinyl of the Right On and does some very nifty scratching too, creating new music from scratch, right there on the decks and efx. Very convincing, I didn´t know he had that in him.
Also the Mr X & Mr Y: Nite of the Tschuldigungs (only good work by those two) is one of my top-10 vinyls of all time!!!
Westbam is someone who it is easy to dislike, but he deserves some credit for his unique approach to techno and for doing great Mayday parties up to aprox 1998.