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Latest Discography Additions:
| Various - MyBro Zine #3 Videojuegos (MyBro Corp) |
| Phillip Boa & The Voodooclub and Voodoocult - More Than SpaceFillers (Not On Label) |
| 5150 (3) - 5150 (Reagan Era HC) |
| Lászlo Benkő* - Lexikon (Start (2)) |
| Crosby, Stills & Nash - Live It Up (Polskie Nagrania Muza) |
| Shu-Bi-Dua - Shu-Bi-Dua 8 (Elap Music) |
| Claudio Santoro - Musik Im 20. Jahrhundert (RBM Records) |
| Huey Lewis & The News - Small World (Chrysalis) |
| Various - Untitled (etcetc) |
| Della Reese - Who Is She And What Is She To You (People Records (3)) |
| Home T - How Hot / She Loves Me (Live And Love) |
| Joe Walsh - So What (ABC Records) |
| Festermen, The - Toelake Snakeman (Bad Afro Records) |
| Big Chief - Platinum Jive (Greatest Hits 1969-1999) (Capitol Records, Capitol Records) |
| Georges Moustaki - Moustaki (Polydor) |
| Freddie Hubbard - Breaking Point (Blue Note) |
| Congaman - Heart of gold (Fragile Records (Italy)) |
| Status Quo - Just Supposin'... (Vertigo) |
| Various - Ozono Kids Tapes - A Compilation CDR (Ozonokids) |
| OM (8) - Pilgrimage (Southern Lord) |
| Alien Sex Fiend - A Purple Glistener (Jettisoundz Video) |
| Joe Walsh - Barnstorm (Dunhill Records, ABC Records) |
| Various - Huipulla 14 (Scandia) |
| Half Pint (3) / General Trees - Go Back Home / Jah $50 Bill (Black Scorpio (2)) |
| Dennis Brown - My Time (Morpheus) |
| Uberlulu - Espace, Temps, Esotérisme & Compagnie (Les Productions Du Grand Tabouret) |
| Erissoma - Rare Album (Protea Records) |
| Various - Chimera Music Release No 0 (Chimera Music) |
| Beatles, The - The History Of Rock - Volume Twenty Six (Orbis) |
| Mamiffer - Hirror Enniffer (Hydra Head Records) |
| Slim Line - If You Can Dance, You Can Do It (Strand) |
| Various - Dance Classics Volume 23 & 24 (Rodeo Media) |
| Billy Fury - Billy (Decca) |
| Fax Arcana - Unorthodox Practices For Modern Professionals (Magic Bullet Records) |
| DCMC - Манифесто (Лев Прав Звук) |
| Imynvokad - Tongues Of Death (Pale Horse Recordings) |
| Glueneck - Hypnotised (Heat Blast Records) |
| Debbie Sharp - Rising Star (Chic) |
| Den Harrow - Mad Desire (Tycoon Records (2)) |
| Horrors, The - Who Can Say (XL Recordings) |
| George NooksPrince Mohammed* - How Could I Leave / Bubble We A Bubble (Living Room) |
| Billy Fury - Billy Fury Hits (Decca) |
| M.O.P. - Roc La Familia (No Label) |
| Whispertown 2000, The - Swim (Acony Records) |
| Commodores - Live! (Motown) |
| Michael Angelo & Jim / Sean Tyas - Reload / Pacifier (Inspired Limited) |
| Modern Lovers, The - The Modern Lovers (Beserkley Records) |
| Kill It Kid - Burst Its Banks (One Little Indian) |
| FR* - FR Sound EP (Molto) |
| Spiritualized Electric Mainline* - Pure Phase (Dedicated, Arista) |
| John Travolta - Let Her In (Success, Elap Music) |
| Blende - Northern School (Tigerbass Records) |
| Johnny And The Jumper Cables* - Kielbasa ! (Stanton Park) |
| Peter Andre - Revelation (Conehead) |
| Lisa Loeb & Nine Stories - Stay (I Miss You) (RCA) |
| Various - Kootut Teokset IV - Iskelmäkonsertti (Blue Master) |
| Joni Mitchell - Big Yellow Taxi (Reprise Records) |
| Uberlulu - Quelle Remarquable Quantité D'Informations Pour Un Si Petit Espace Temps Toutefois Si Haut En Couleurs (Les Productions Du Grand Tabouret) |
| Manfred Mann's Earth Band - Budapest (Live) (Jugoton) |
| George Nooks - One Of A Kind Love Affair (Mr. Doo) |
| Crowskin & Black Freighter - S/t (Vendetta) |
| Get Ready! - Kom Nu Maar (Virgin Music (Belgium)) |
| Wings (2) - London Town / I'm Carrying (MPL) |
| Fatso Jetson / Fireball Ministry - King Faduke / Vim (Cattleprod Recordings) |
| Motörhead - Orgasmatron (GWR Records, Profile Records, Inc.) |
| Crowskin & Golden Gorilla - Split 7" (Decoy Industry) |
| Flying Lizards, The - The Flying Lizards (Virgin, Virgin) |
| Samantha Fox - Do Ya Do Ya (Wanna Please Me) (Jive, Jive) |
| New Birth, The* - Blind Baby (Buddah Records) |
| Fuck - Those Are Not My Bongos (Homesleep, Homesleep) |
| Realistics Band, The* / Sammy DreadChris Whitely - I Don't Mind / Try A Little Harder (Realistics Record) |
| TQ - Westside (Epic) |
| mon0 - Elements (Kreislauf) |
| mon0 - Elements (Kreislauf) |
| Ike & Tina Turner / James Brown / Monkees, The / Beach Boys, The - The History Of Rock - Volume Nine (Orbis) |
| Rick James - Love Gun (Motown) |
| Samir Kadribašić* - Bass Player, Producer, Programming (Capo Media Music) |
| Wings (2) - Goodnight Tonight (Odeon) |
| Tyrone Tir - Black Out (Macaroni) |
| Slick (2) - Sexy Cream (Bellaphon, Fantasy) |
| T.f.c - A Day In A Control Room (Protea Records) |
| Billy Fury - Maybe Tomorrow (Decca) |
| Various - Untitled (Channel One) |
| Various - 7th Heaven Showreel 2008 (Not On Label) |
| Grachan Moncur III - Evolution (Blue Note) |
| Fox The Fox - Flirting And Showing (CBS) |
| W.A.Mozart* - Maria João Pires* - The Complete Sonatas For Piano Vol.1 (Denon) |
| Deborahe Glasgow - You're My Sugar (UK Bubblers) |
| Deborahe Glasgow - You're My Sugar (UK Bubblers) |
| Bloody Panda - Summon (Profound Lore Records) |
| Fighters (2) - Dancing Nights / And I Love Her (Polydor) |
| Iron Angel - Winds Of War (Steamhammer, SPV Records) |
| Faff-Bey - Emptyhead (Bad Vugum) |
| Wings (2) - Getting Closer (Odeon) |
| Clifters - Sormus (One Inch Rock) |
| Da Budz - Da Budz Preset Freestylez (Moon Records (2)) |
| Billy Fury - My Christmas Prayer (Decca) |
| José Feliciano - The Hits Collection (CMC Home Entertainment) |
| To/Die/For - Wounds Wide Open (Wood Bell Records) |
| Richard Warner - Spirit Of The Tao Te Ching (Narada Lotus) |
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Latest Music Reviews:
Kniteforce Records - Welli
One of (if not) the most influential hardcore labels of the 90s. Steadily progressed from a mixture of dark breakbeat and hands in the air piano breaks in 1993 to almost exclusively piano-driven breakbeat hardcore in 1994 and 1995. Even after the genre largely morphed into happy hardcore after 95, Kniteforce refused to be left behind and successfully mastered both genres with consistently incredible releases. Almost every release on the label throughout its entire existence was high quality and groundbreaking.
Some of the highlights for me were Force & The Evolutions "Fall Down On Me" EP, Brisks "Airhead", Luna-Cs "Piano Progression" and Jimmy J & Cru-L-Ts "Six Days" and "Take Me Away" (plus almost all of the remixes of those tunes).
In a true display of what hardcores all about, Luna-C recently made the phenomenal move of releasing the entire Kniteforce catalogue digitally for free at the official Kniteforce website. I actually came in my pants right there and then when I found out. Grade A legend material. |
Tears Of Joy - Get Tough (On Crack) / Frauds - extreemecreeme
Well, another dope electro/rap track! The track "Get Tough (On Crack)" doesnt havent that fast beats at all, but very nice rap lyrics and a cool minimalistic synth sound line. "Frauds" is pure dope! Believe it, wicked beats; wicked rap; nice scratches! I really love this one, check out the linked youtube track(s)! This is really a must have for all serious rap/electro lovers! Dont miss this one in your collection! |
Brisk - Airhead / Thru' The Knite - Welli
What a release. Both sides were typical of 95 in that they tread the line between the earlier breakbeat hardcore and the emergence of happy hardcore perfectly. Its the release Id use to show Brisks wonderful consistency across every subgenre hes produced. From breakbeat under Kniteforce and happy and UK hardcore under NG/BB, Brisk has killed it all.
"Airhead" is definitely the highlight here. Epic hardcore drum pattern combined with happy hardcore kicks and that classic "air-air-airhead" sample. Puts a smile on my face every single time and never ever gets old. Luna-C, legend that he is, recently released the ENTIRE Kniteforce (and sublabels) category digitally for free so you have absolutely no excuse not to hear this classic for yourself. It also spawned a great full-on happy hardcore remix by Slipmatt under his SMD alias and a UK hardcore remix by Brisk & Vagabond which unfortunately wasnt as good as it shouldve been.
"Thru The Knite" is another good track. Another great drum pattern but its just not as memorable as "Airhead". Still a worthy b-side to one of the best hardcore tracks of the 90s though.
Overall a great release. |
DJ Krust* - Warhead (Steppa Mix) / Check Dis Out - Sloofman
Granted this tune was hammered by every dj at the time, but not without good reason!Yes we all know about the drop and the tune builds and develops well, but for me the jewel in the crown with this track is the intro. The sound of the beat on its own is one of the most exciting aspects of a drum and bass tune ever, which has strangely hardly been repeated. It was always worth the rewind just for that start! From a djing point of view it was always a joy to mix and naturally worked very well bouncing off other V tunes of the time such as Dies Slide Away and Ray Keiths Now is the Time. |
Harvey Hollywood Harris* - Freak The House - extreemecreeme
Wow, what a fantastic electro/rap record!!! This is not only a thought after record from the house section. Man, this is pure electro/rap dope!!!! This is a must have in any oldschool electro rap collection!!! I was so impressed when listening listening the first time to this track! freak the house is pure electro dope! Real dope and a mostly unknown mastepiece! Scratching, rapping, 808/909 sequences, well Check out the you tube sound! Dont sleep, grab this!!! |
Oakenfold* - Southern Sun / Ready Steady Go - wilesto
This has to be one of my favourite records of all time. Every time i hear it, i could almost cry tears of joy. the tiesto remix is one of his finest pieces of work in my humble opinion. the production is spot on, and through the 9 minutes or so, he builds the track with crisp, beats, beautiful melodies, and mesmerizing vocals, until the breakdown, which builds to a huge climax. the vocals are haunting, and fit perfectly into this track, which devastates floors whenever played. i remember seeing paul oakenfold play the tiesto mix in cream ibiza back in 2005, and people were crying on the dancefloor. the g remix is actually very very good as well, but is overlooked by many, due to the huge effort by tiesto |
Markus Schulz Feat. Dauby - Perfect - wilesto
This is simply what trance is all about. Melodic, driving, emotional and uplifting. Agnelli & Nelson have ben doing the business on the trance scene for well over a decade now, with amazing productions that still sound amazing now, and this remix is no exception. In my opinion its the clear winner of the three on offer, with a breakdown that sends shivers down my spine evry time i hear it. A fantastic trance record, plain and simple |
Wei Chi - Faces and Places - SILWORLD
This vinyl is all about the Henrik Schwarz mix. His best remix ever... beautiful treatment of strings and melodic arrangement. His trademark is well witnessed on this 9 20 of pure aural voyage. His style is unique. House not house could be a new category for his productions, but they are too good to be pigeonholed. Get it now because this is a FUTURE CLASSIC. |
Leftfield - Leftism - Tennant
Well, heres what is constantly referred to as the "Best British Electronica Album" of all time.
It doesnt disappoint.
The key word here is "atmosphere". Throughout the album, there is a strange, cold, green and yet compelling atmosphere held through all the tracks. Another key word is "awesome": EVERY single track here is good. Nothing stands out as poor at all. Its hard to talk about such an old classic without going all gushing and over the top like a common reviewer trying to convince themselves theyve spent their money well, but this is different...
"Release the Pressure", a careful, mystical start with some great and relevant lyrics. "Afro-Left" - a more powerful, cultural journey. "Melt" - just BEAUTIFUL! "Song of Life" - easily one of my top 5 electronica tracks of all time, it contains so many good parts that drift apart and come back together - this track is AMAZING. "Original" - great lyrics, once again. "Black Flute" - a nice, dancey piece thats almost a filler, but not quite! "Storm 3000" - another OUTSTANDING composition. "Open Up" is the total climax: damning and wonderful. Finally, "21st Century Poem" is a pensive work with simple, but powerful lyrics once more.
Its no surprise that Leftfield produced one, inferior album then broke up. They would never be able to top this masterpiece... |
JD Wood* - "In My Dreams" - Sheidywood
Artist: JD Wood
Title: In My Dreams
Website: http://www.bluemusepublishing.com/JD_WOOD
Style: AC/ Singer Songwriter/ Pop
Rating: 8.5 out of 10
By Senior Writer C.W. Ross
In late 2008 JD Wood’s music was discovered by Blue Muse Publishing and on January 2009 they honored him with their, ‘Best Songwriter 2008′ award. They also signed him and work begun on his first musical project resulting in the album, In My Dreams, that has a March 15, 2009 scheduled release date.
As you listen to Wood’s music you’ll hear the many different style elements found in each of the songs. Everything from adult contemporary, singer-songwriter, and jazz, to pop and rock can be found in them.
Wood’s excellent piano playing and vocals that are passion filled and come across as from the heart, with a real honesty to them, drive the songs.
The main theme found in the songs is that of love and relationships and all of the many different forms that can take from love found and love lost, to love lost and then re-found again.
My favorite songs from In My Dreams are, “Come and Tell,” with its funky beginning guitar and drums parts. “Time is Ticking,” that starts out with the sound of a clock ticking that’s quickly joined by a lively electric guitar. This song is also the most up-tempo song found on the release with its classic rock sound. Last, but not least, is “I Am Strong,” a piano lead pop edged song that features a nice steady drumbeat.
Thanks to the well thought out song construction and arrangements this album has that little bit extra that pushes it to the next level of quality music. As I listened to In My Dreams I kept saying to myself, ‘that’s interesting, that’s different.’
With In My Dreams JD Wood comes out of the starting gate at full speed and shows that he has the musical talent to go as far as he wants with it.
http://indiemusicstop.wordpress.com/2009/02/23/jd-wood-in-my-dreams/ |
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