Electroshock Records

Profile:
Russian recording label publishes works of composers experimenting in the style of serious electronic (not dancing styles), electroacoustic, experimental & avant-garde music.
Sublabel:
Contact Info:
info@electroshock.ru
Sites:

Discography

Releases:
ELCD 001 Artemiy Artemiev The Warning ‎(CD, Album) 1997
ELCD 002 Artemiy Artemiev Cold ‎(CD, Album) 1997
ELCD 2CD Эдуард Артемьев Соединяя Пространства (Connecting Spaces) ‎(2xCD, Album, Ltd) 2011
ELCD 003 Artemiy Artemiev Point Of Intersection ‎(CD) 1997
ELCD 006 Various Electroacoustic Music. Vol. II ‎(CD, Comp) 1998
ELCD 007 Artemiy Artemiev Five Mystery Tales Of Asia ‎(CD, Album) 1998
ELCD 008 Edward Artemyev* The Odyssey ‎(CD, Album) 1998
ELCD 009 Artemiy Artemiev Mysticism Of Sound ‎(CD) 1999
ELCD 010 Various Electroacoustic Music. Vol. III ‎(CD, Comp) 1999
ELCD 011 Various Electroshock Presents Electroacoustic Music Volume IV • Archive Tapes Synthesizer ANS 1964-1971 ‎(CD, Comp) 1999
ELCD 012 Edward Artemiev* Solaris. The Mirror. Stalker (Album) (2 versions) 1999
ELCD 013 Various Electroacoustic Music. Vol. V ‎(CD) 2000
ELCD 014 Artemiy Artemiev & Phillip B. Klingler* Dreams In Moving Space ‎(CD) 2000
ELCD 015 Artemiy Artemiev & Peter Frohmader Space Icon ‎(CD) 2000
ELCD 016 Stanislav Kreitchi ANSiana ‎(CD, Album) 2000
ELCD 017 Artemiy Artemiev Forgotten Themes ‎(CD, Album) 2000
ELCD 018 Edward Artemiev* A Book Of Impressions ‎(CD) 2000
ELCD 019 Anatoly Pereslegin Download The God ‎(CD) 2000
ELCD 020 Various Electroshock Presents Electroacoustic Music • Volume VI ‎(CD, Comp) 2000
ELCD 021 Artemiy Artemiev & Peter Frohmader Transfiguration ‎(CD) 2002
ELCD 022 Artemiy Artemiev & Phillip B. Klingler* A Moment Of Infinity ‎(CD, Album) 2002
ELCD 023 Stanislav Kreitchi Voices And Movement ‎(CD) 2002
ELCD 024 Oöphoi Bardo ‎(CD, Album) 2002
ELCD 025 Antanas Jasenka Deusexmachina ‎(CD, Album) 2002
ELCD 028 Anatoly Pereslegin Fastgod: E-psalms ‎(CD) 2002
ELCD 029 Artemiy Artemiev & Christopher DeLaurenti 57 Minutes To Silence ‎(CD) 2002
ELCD 030 Edward Artemiev* Three Odes ‎(CD) 2002
ELCD 031 Artemiy Artemiev & Karda Estra Equilibrium ‎(CD) 2002
ELCD 032 Victor Cerullo Visions - A Homage To Andrei Tarkovsky ‎(CD, Album) 2003
ELCD 033 Richard Bone Indium ‎(CD, Album) 2003
ELCD 034 Roman Stolyar Credo ‎(CD) 2003
ELCD 035 Valery Siver and Kiryll Trepakov* Midway ‎(CD, Album) 2003
ELCD 036 Various Electroacoustic Music. Vol. VIII ‎(CD, Comp) 2003
ELCD 037 Alexei Borisov* Polished Surface Of A Table ‎(CD, Album) 2004
ELCD 038 Artemiy Artemiev Time, Desert And A Sound ‎(CD, Album) 2004
ELCD 039 Antanas Jasenka An Artist And A Plane ‎(CD, Album) 2004
ELCD 040 Roderik De Man Electrified Music ‎(CD) 2004
ELCD 041 Yney Antarctina ‎(CD, Album) 2004
ELCD 042 Anatoly Pereslegin Passion Models (Synth Fantasies For The Symphonic Orchestra) ‎(CD) 2004
ELCD 043 Alexander Volodin Reflections Of Time ‎(CD, Album) 2004
ELCD 044 Various Electroacoustic Music Volume IX ‎(CD) 2004
ELCD 045 Edward Artemiev* So Weit Die Füsse Tragen ‎(CD, Album) 2005
ELCD 046 Edward Artemiev* Shadows Of A Theater ‎(CD) 2005
ELCD 049 Roman Stolyar Missa Apocryth ‎(CD, Album) 2010
ELCD 050 Anatoly Pereslegin Xenophobia ‎(CD) 2010
ELCD 051 Gary Dibenedetto Twin Towers ‎(CD) 2010
ELCD 052 Dmitry Mazurov Creature On A Lavatory Pan ‎(CD, Album) 2010
ELCD 053 J.C. Combs Safe Passage (ImprovFriday Event Sessions) ‎(CD) 2010
ELCD 054 Alexander Volodin Unfinished Journey ‎(CD) 2010
ELCD 055 Simon Wickham-Smith Multiple Tongues ‎(CD) 2010
ELCD 056 Valeriy Siver* Music From The Russian Pages ‎(CD) 2010
ELCD 057 Edward Artemiev* Invitation To Reminiscences ‎(CD) 2010
ELCD 058 Milica Paranosic Give To Grow ‎(CD) 2010
ELCD 059 Antanas Jasenka Point/Circle ‎(CD) 2010
ELCD060 Yney Micro Macro ‎(CD, Album) 2010
ELCD 061 Edward Artemiev* Mood - Pictures ‎(CD) 2010
ELCD 062 Orgia Pravednikov* For Those Who See Dreams. Vol. 1 ‎(CD, Album, Ltd) 2010
ELCD 063 P.I. Tchaikovskiy*, Edward Artemiev* The Nutcracker & The Rat King. Suite On The Motives Of The Music By P.I. Tchaikovskiy (Ballet “Nutcracker”, Symphony # 5 & 6, Concert For The Piano & Orchestra # 1) ‎(CD) 2012
ELCD 004/005 Various Electroacoustic Music. Vol. I ‎(2xCD) 1997
ELCD 026-027 Various Electroacoustic Music. Vol. VII ‎(2xCD, Comp) 2002
ELCD 047/048 Edward Artemiev* Territory Of Love. Music For Nikita Mikhalkov's Films. The Collection Edition (Album, Comp) (2 versions) 2005

Reviews & Discussion

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eshock

as reviewed by eshock May 16, 2012
The XX century took a special, unique place in the history of the world's music. On the one hand the art of musical improvisation takes its final shape and reaches artistic heights at that time. Music is born spontaneously in the listeners' presence, omitting the stage of preliminary writing. On the other hand, classical musicians turned their attention to the millennial heritage of non-european musical cultures. It enabled them to enrich traditional music with new uncommon harmonies and timbres of various ethnic instruments unheard of before.

Still the most revolutionary breakthrough in the world's music evolution was done because of the active involvement of modern recording and electronic technologies in the process of creating the music. If musicians or composers had to operate with ready-made, fixed timbres of musical instruments - sometimes uncommon ones, but invariable - before, but now they have got really god's power not only over the combinations of ready-made sounds, but over the sound itself. Because of the modern technology composer is able to not only create and reproduce any sound required, he is able to change and convert it as he wants, to decelerate or fasten, to compress or stretch, to decompose it into elementary components. The modern composer prepares a live and trembling sound like a biologist, bending over the microscope, comprehending an amazing mystery and perfection of a live organism's structure.

Composers have been able to master the whole world of sounds existing both in nature and in their imagination. The answers have been found to the questions: what does the sound consist of? What is the difference between musical timbre and noise? Is it possible to make noises sound and make music of them?

The distinction between the "ordinary" sound and the sound of "noble" musical instrument disappeared. It's possible to record the sound of a raindrop falling into a puddle, to lay it on the notes and play your favorite tune with the raindrops. Music of the rain... The world that surrounds us is full of sounds and any of them is ready to transform into music if you wish. And the form it's going to take - would it be European sonnet classic, jazz improvisation or meditative Indian raga - depends on you only.

That is how "the XXI century classic", the modern electronic and electroacoustic music was born. It encompasses the whole world of sound with all its modern finds in the field of harmony and composition, improvisation and exotic musical cultures. That is the kind of music, music of all imaginable and non-imaginable sounds and their incredible transformation and adventure, entirely submitted to the artist's idea, the production of the record label "Electroshock" presented on this site is dedicated to. You can find out more about the history of creating and developing electronic and electroacoustic music in the articles; get to know composers working in these astonishing genres through the numerous and extensive interviews. At last you can choose and order the music itself - unique, the author's editions of CDs with the highest sound quality.

Welcome to the mysterious world of sound!