Rather Interesting

Profile:Though it may be not known to the averagely interested listener, R.I. is a sublabel of the FAX label. There is an interview with Pete Namlook available here that contains this information.
Labelcode LC 6269
Parent Label:Fax +49-69/450464
Contact Info:E-mail: info@rather-interesting.com
URLs:http://rather-interesting.com/
http://music.hyperreal.org/labels/rather_interesting/
http://atom-heart.com/
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Discography:
none Atom™ About Pears And Apples (File, AAC, Single) 2006
RI 023 Flextone Flextone (CD, Album, Ltd) 1994
RI 023 CL Flextone 10th Anniversary Box (2xCD, Album, Ltd, RM) 2004
RI 023 S Victor Sol Paranoid (CD, Album, Ltd) 1996
RI 023 V Flextone Flextone (2x12", Ltd, Album) 1994
RI 024 Dots Dots (CD, Album, Ltd) 1994
RI 024 CL Dots 10th Anniversary Box II (2xCD, Album, Ltd, RM) 2004
RI 025 VSVN Very Synthetic Virtual Noise (CD, Album, Ltd) 1994
RI 025 CL Atom Heart Volume 1 - The Singles 1991-2000 (2xCD, Ltd, RM) 2007
RI 025 V VSVN Very Synthetic Virtual Noise (2xLP, Album, Ltd) 1994
RI 026 DATacide Flowerhead (CD, Album, Ltd) 1995
RI 027 Interactive Music Interactive Music (CD, Album, Ltd) 1995
RI 028 Masters Of Psychedelic Ambiance Mu (CD, Album, Ltd) 1995
RI 029 Semiacoustic Nature Semiacoustic Nature (CD, Album, Ltd) 1995
RI 030 Atom Heart B² (CD, Album, Ltd) 1995
RI 031 Silver Sound 60 (CD, Album, Ltd) 1995
RI 032 BASS Binary Amplified Super Stereo (CD, Album, Ltd) 1995
RI 033 Various Real Intelligence (CD, Ltd) 1995
RI 033 V Various Real Intelligence - Rather Interesting Compilation (2x12", Ltd) 1995
RI 034 Dandy Jack Dandy Jack And The Cosmic Trousers (CD, Album, Ltd) 1995
RI 034 V Dandy Jack Dandy Jack And The Cosmic Trousers (12") 1995
RI 035 Machine Paisley Machine Paisley (CD, Album, Ltd) 1996
RI 036 Brown Brown (CD, Album, Ltd) 1996
RI 037 HAT Tokyo - Frankfurt - New York (CD, Album, Ltd) 1996
RI 038 Mono™ Mono™ (CD, Album, Ltd) 1996
RI 039 +N Built (CD, Album, Ltd) 1996
RI 040 DATacide Ondas (CD, Album, Ltd) 1996
RI 041 Various Real Intelligence II (CD, Ltd) 1996
RI 042 Dandy Jack Dandy Jack And The Plastic Woman (CD, Album, Ltd) 1997
RI 043 Lisa Carbon Trio De Janeiro (CD, Album, Ltd) 1997
RI 044 Señor Coconut Gran Baile Con... (CD, Album, Ltd) 1997
RI 045 Fonosandwich Fonosandwich (CD, Album, Ltd) 1997
RI 046 Roger Tubesound Ensemble, The Pentatonic Surprise (CD, Album, Ltd) 1997
RI 047 Schnittstelle Schnittstelle (CD, Album, Ltd) 1998
RI 048 Naturalist Naturalist (CD, Album, Ltd) 1998
RI 049 Dropshadow Disease Dropshadow Disease (CD, Album, Ltd) 1998
RI 050 Various Real Intelligence III (CD, Ltd) 1998
RI 051 DOS Tracks :) (CD, Album, Ltd) 1999
RI 052 Erik Satin Light Music (CD, Album, Ltd) 1999
RI 053 Los Sampler's Descargas (CD, Album, Ltd) 1999
RI 054 Atom™ XXX (CD, Album, Ltd) 2000
RI 055 Bund Deutscher Programmierer Stoffwechsel (CD, Album, Ltd) 2000
RI 056 Midisport 14 Footballers In Milkchocolate (CD, Album, Ltd) 2001
RI 057 Disk Orchestra, The [K] (CD) 2001
RI 058 Roger Tubesound Ensemble, The Plays Just Notes (CD) 2002
RI 059 Various Real Intelligence IV (CD, Ltd) 2002
RI 060 Stereonerds, The HD Endless (CD, Album, Ltd) 2003
RI 061 Lisa Carbon Standards (CD, Album) 2003
RI 062 CMYK CMYK (CD, Ltd) 2005
RI 063 Los Negritos Speed-Merengue Mega-Mix 2005 (CD) 2005
RI 064 Atom™ Son Of A Glitch (CD, Album) 2007
User Reviews:
mizukagami, Aug 31, 2005

Across the R.I. board, Uwe Schmidt demonstrates his ability to entertain the listener through innovation. This proven master mixologist is, indeed, skilled enough to blend together the hard and the soft. Most notably is Aliastructure of Machine Paisley. But, at times, Uwe tends to only skim the surface rather than plunge the listener into deep waters of refreshing sound. From delicious ambient cappuccinos and sweet sour apple acid flavors to downright annoying garbage which sounds like a harddrive hocking up a dry heave, you still dont dare to hit that stop button. Even if you dont like all the work released on this label, youll still find yourself comin back to those albums because, well, this stuff is just so rather interesting.

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