| Releases: |
|
AGENT 47 |
Free Agents |
Cyclic (7", Ltd) |
1998 |
|
ALTE53 |
David Jackman |
Ember Hollow / Dawn Plaza (7", Ltd) |
1998 |
|
ASYLUM12 |
Ted Milton & The BoBonus Beats |
Postcard (7", Ltd) |
1995 |
|
BACH27 |
Illusion Of Safety |
Schmetterling EP (7", Ltd, EP, Pic) |
1996 |
|
BLESS11 |
Hafler Trio, The |
Infidelity To Reason (7", Ltd) |
1996 |
|
BLESS11S |
Hafler Trio, The |
Infidelity To Reason (7", Ltd + Floppy, Ltd) |
1996 |
|
BLR55 |
Blaine L. Reininger |
Orphans (7", Ltd, Whi) |
1998 |
|
BRUITS46 |
Vivenza |
Mécanismes & Industries (7", Ltd) |
1997 |
|
CK13 |
Christof Kurzmann |
Sinn.Blau.Pause (7", Ltd, Blu) |
1995 |
|
Éclipse 54 |
Ghédalia Tazartès |
Transports (10", Ltd) |
1998 |
|
COSMIC45 |
C.C.C.C. |
Polygon Islands 1 & 2 (7", Ltd, Gre) |
1998 |
|
CRASH10 |
David Jackman |
Threshold (7", S/Sided) |
1994 |
|
DAPP51 |
Contagious Orgasm |
Live At Chelsea, Wien (7", Ltd, Pic) |
1998 |
|
DEEP48 |
Pacific 231 (2) |
Heuristic Occlusion (7", Ltd, Pic) |
2001 |
|
Dream 34 |
Altai Chamber Orchestra, The |
Rewound (Lathe, 8", Hex) |
1997 |
|
DUENDE36 |
Ultra (3) |
Letter Of Introduction / Perfect Pitch And Manchester United (7", Ltd) |
1997 |
|
FIERCE14 |
Sandy & Boris |
The Electronic Egg (7", Ltd) |
1995 |
|
FL 60 |
Frenk Lebel |
Live At Walter & Katja's (Cass, Ltd) |
2001 |
|
FORTY 40 |
Various |
Six Quarters (7", Ltd) |
1998 |
|
FRANZ19 |
Rapoon |
Birethen / Amüz (7", Ltd) |
1996 |
|
GEAR 29 |
Sons Of Silence* Present Spoke |
Sons Of Silence Present Spoke (7", Ltd) |
1996 |
|
Gift 50 |
Aube / Scanner |
Live In Vienna (Cass, Ltd) |
1998 |
|
GRUWEL06 |
Scanner |
Underwater / Gentle (7", Ltd) |
1995 |
|
HASS 22 |
Haters, The |
Nirgends 1 & 2 (7", Pic, Ltd) |
1995 |
|
JADE 32 |
S.E.T.I. / Lagowski |
Live In Wien (Lathe, 8") |
1996 |
|
KAT26 |
Susanne Brokesch |
Untitled (7", Ltd, Whi) |
1999 |
|
KENCHIKU05 |
Merzbow |
Wakantanka / Aboriginie of Anniversary 50 Years After War (7", Ltd) |
1995 |
|
LEAK20 |
Fennesz |
5 / 6 (7", Ltd) |
1995 |
|
LICHT31 |
Licht (2) |
Detonation (7", Ltd) |
1997 |
|
MUSLIM15 |
Muslimgauze |
Untitled (7", Pic, Ltd) |
1996 |
|
MZKA07 |
Main |
Coderays (7", Ltd, S/Sided) |
1995 |
|
News 39 |
Ernest Meyer |
The Gold Collection (CDr, Album) |
1997 |
|
NICE 49 |
Paul Haig |
Listen To Me (7", Ltd) |
1998 |
|
NKVD28 |
NKVD (2) |
Yeltsin 97 (7", Ltd) |
1997 |
|
ONI 33 |
Thirdorgan |
Infera Sinfonia (Lathe, 8", Ltd, Squ) |
1996 |
|
ORDER35 |
David Jackman |
Silver Skies (7", Ltd) |
1997 |
|
OYC 52 |
O Yuki Conjugate |
Circulars (7", Ltd) |
1997 |
|
PE 59 |
Nocturnal Emissions |
Zeneca / Monsanto (7", Ltd) |
2000 |
|
PIXI 57 |
Statik (2) / Birds Of Tin |
Sound Of Statik / 4 Ahau 8 Cumhu (7", Ltd, Pic) |
2001 |
|
POP21 |
Le Zappalot |
Erika Goes To Leopoldau / Life Is Cheap (7", Ltd) |
1995 |
|
PRE37 |
Werner Möbius |
Aprés Ski (CDr, Ltd) |
1998 |
|
RAP01 |
Rapoon |
Fallen Gods (7", Ltd) |
1993 |
|
REASON43 |
Blackhouse |
Reason For The Season (7", Ltd) |
1997 |
|
SCHLAF18 |
Sleep Chamber |
Cuckoo Clock / Reality Revealed (7", Ltd, Pic) |
1995 |
|
SEX03 |
Konstruktivists* |
Sweet Sex Subliminal / Pleasure And Pain (7", Ltd, S/Sided) |
1994 |
|
SKI24 |
Werner Möbius |
Rosa (7", Ltd) |
2001 |
|
Sophie 17 |
Rapoon |
Messianic Ghosts (CDr, Album, Ltd) |
1997 |
|
SYN 2 |
Organum |
Hibakusha (7", Ltd, S/Sided) |
1993 |
|
syn30/syn30s |
D.A.R.K.* |
Camberwell Beauties (7", Ltd) |
1996 |
|
syn62 |
Various |
Danza De La Muerte - R.I.P. Syntactic (2xCD, Comp, Ltd) |
2002 |
|
syn63 |
Various |
Danza De La Vida - Rest In Peace, Again, Syntactic (CD, Ltd) |
2007 |
|
SYNTACTIC 38 |
Pablo's Eye |
They Had No Alternative But To Destroy Her (7", Pic, Ltd) |
1997 |
|
SYNTERIOR44 |
Binary |
The Music Of Sound (CDr, Ltd) |
1998 |
|
SYNTERIOR58 |
Konstruktivist |
The Last Moments Of 1923 (CDr, Ltd) |
1998 |
|
TAUBE42 |
Aube / T.A.C.O.* |
N/E / Sound (7", Ltd) |
2000 |
|
tek56/tek56s |
Altai Chamber Orchestra, The / Alex And Android* |
Law / Pyramid (7", Ltd, Cle) |
1998 |
|
TNB/009 |
New Blockaders, The
And
Ferial Confine |
Gesamtkunstwerk (7", Ltd) |
1994 |
|
TRIP04 |
Legion |
Tunnelvision (7", Ltd, S/Sided) |
1994 |
|
TYKIT08 |
Haters, The |
Polywelle Tykit (7", Ltd, S/Sided) |
1994 |
|
VA23 |
Various |
Vanité (7", Comp, Ltd, Red) |
1996 |
|
VIBRATE16 |
Aube |
Vibrate-Flasher / The Silent Light (7", Ltd, Yel) |
1995 |
|
VOGEL61 |
David Jackman |
Canary Waltz (7", Ltd, Pic) |
1998 |
|
ZERO41 |
K.K. Null |
Invisible Fire / Mad Water (7", Ltd, Blu) |
2000 |
|
ZURÜCK25 |
Asmus Tietchens |
Papier Ist Geduldig (7", Ltd) |
1996 |
I started Syntactic in 1993 when I'd had enough of being a music recipient and wanted a more active role. In the beginning, I had no idea whether it would be possible to get some attention from Vienna, so I tried carefully, with small editions of only 50 -- mistakenly 60 were pressed and this is how the special editions of 10 were born.
I soon discovered that people loved the idea of having something exclusive and kept the concept, making just a little more to ensure the people who wanted copies surely received them.
The visual concept for the label was to be as special and colourful as possible with most sleeves designed or even handmade by Lisa Neukirchner who was responsible for Syntactic's look until 1998 (now most of the designs are now made by my wife, Katharina Robotka-Svejkovsky). Artists who wanted to make their own covers were welcome to do so, too.
The musical choice for the releases on the label was always and will always be very subjective; whatever I like and whoever I find interesting enough will be released on Syntactic. There's a wide range from noise (like Merzbow or The Haters), abstract electronica (like Fennesz or Scanner) to synth pop (a la Bliane L. Reininger or Paul Haig).
What made the start for me easier was the fact that I had already been friends with most of our musicians. Robin Storey [Rapoon] is one of my best friends, David Jackman was a regular host at london trips, the Konstruktivist people became buddies more and more and Lagowski, for example, sold Whitehouse records to me years before the label had started. This might be also the reason why all these great artists decided to do these very limited records with me, which is a great honour and makes me very happy.
Over the years, I ended up producing sixty releases and I'm still releasing music on Syntactic to this day. The concept of handmade packaging continues ... the latest example being the live cassette from Frenk Lebel which is wrapped in special papers with a piece of cord around it.
Enjoy!