Carly Simon ‎– No Secrets

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Tracklist

The Right Thing To Do
The Carter Family
You're So Vain
His Friends Are More Than Fond Of Robin
We Have No Secrets
Embrace Me, You Child
Waited So Long
It Was So Easy
Night Owl
When You Close Your Eyes

Versions

Title Label Cat# Country Year
No Secrets (Reel, Album, Quad) Elektra ESTQ 5049-QF US 1972
No Secrets (LP, Album) Elektra, Continental (3) ELLP-517 Brazil 1972
No Secrets (LP, Album) Elektra EKS 75049 US 1972
No Secrets (LP, Album) Elektra EKS 75049 Canada 1972
No Secrets (LP, Album, Quad, Gat) Elektra EQ-5049 US 1973
No Secrets (LP, Album, RE) Elektra 62 436 Germany 1973
No Secrets (CD, Album, RM, Ltd, 24K) Audio Fidelity (3), Elektra AFZ 114 US 2011
No Secrets (CD, Album) Elektra 7559-60684-2 Europe  
No Secrets (LP, Album, RE) Elektra ELK 42 127 Germany  
No Secrets (LP, Album, RE) Elektra ELK 42 127 Germany  
No Secrets (LP, Album, RP) Elektra, Elektra K 42127, K42127 UK  
▸ show all 1 review

Reviews & Discussion

Review by day-bidder Aug 29, 2011

referencing No Secrets, CD, Album, RM, Ltd, 24K, AFZ 114

Mastering Carly Simon, "No Secrets" for 24K CD

Remastering Carly Simon “No Secrets” was really fun, it is one of my favorite albums of all time, but it presented several challenges. The album was produced by Richard Perry (also known for Rod Stewart and Ringo Starr, among many others) and recorded by ace engineer Robin Geoffrey Cable (Elton John, Nilsson) at Trident in London. It was mixed partly at Trident and partly at AIR studios, also in London, and also by Bill Schnee (of Sheffield Lab, Direct-to-Disk fame) at Sound Labs in L.A.

It would have presented enough of a challenge if that alone were the situation, but just to make things more complicated, some of the final mixes were composites of mixes from more than one studio inter-cut together. This is clearly visible (not to mention audible) because the tape formulation, from at least one of the British studios, has bright orange backing (could be BASF, AGFA, or EMI tape, I’ve seen it many times), and the American tape has black backing, presumably 3M 206. Both types appear in some songs.

When comparing the tape to an original Doug Sax, The Mastering Lab, mastered vinyl it became obvious that he had his hands full cutting this beast. Levels and EQ have to be adjusted constantly to compensate for the change in sound between the different studios' mixes and to match up the pieces from different studios within some songs as mentioned earlier.

It kept me on my toes as I went back and forth between the LP and the tape taking copious notes. Doug used a compressor to make the vinyl version louder and I did not. I think you will like the results. It is a great sounding recording. The previous CD versions appear to have been mastered from an EQ copy as they match the LP right down to the compression.

Happy listening!

Kevin Gray / Cohearent Audio

Master Release

Community

[m99919]
3.79 / 5 (29 ratings)
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