max 404 - Love & Mathematics
Label:
Catalog#:
EEVO CD4
Format:
CD, Album
Country:
Netherlands
Released:
1995
Genre:
Electronic
Style:
Leftfield,
Techno
Tracklist
| 1 | Quiddity (First Visit) | 3:49 | ||
| 2 | Trapped | 8:23 | ||
| 3 | I Do Not Feel Like An Alien In This Universe | 5:47 | ||
| 4 | Void | 7:17 | ||
| 5 | The Case Of The Creeping Fox Terrier Clone | 2:15 | ||
| Turntables - Wessel van Offeren | ||||
| 6 | Across The Street | 5:54 | ||
| Lyrics By, Vocals - Wladimir Manshanden* | ||||
| 7 | Quiddity (Second Visit) | 5:04 | ||
| Guitar - Erik van Dijsseldonk* | ||||
| 8 | Steinfeld, Summer, 1982 | 6:05 | ||
| 9 | How To Bluff Your Way Into Techno Music | 6:46 | ||
| 10 | Slut | 5:51 | ||
| 11 | Seen | 1:58 | ||
| 12 | Quiddity (Last Visit) | 6:32 | ||
| 13 | Reality (Prelude) | 1:54 | ||
| 14 | Reality Returns | 6:06 | ||
|
Bass [Guitar] -
Geurt Engelsman
Lyrics By - Erwin van Moll , Ronald Spanjers Programmed By [Boss Dr110] - Ronald Spanjers | ||||
Credits
Artwork By -
Stoere Binken Design
Artwork By [Original Images] - Marloes Hoogenstraaten
Composed By - Alex Loos (tracks: 2, 10) , Erwin van Moll , Hans Hertroys (tracks: 2, 10) , Jochem Peteri (tracks: 3) , Stefan Robbers (tracks: 4) , Wilco Boumans (tracks: 9)
Artwork By [Original Images] - Marloes Hoogenstraaten
Composed By - Alex Loos (tracks: 2, 10) , Erwin van Moll , Hans Hertroys (tracks: 2, 10) , Jochem Peteri (tracks: 3) , Stefan Robbers (tracks: 4) , Wilco Boumans (tracks: 9)
Notes
All recordings made at Virtual Image Productions
This album is dedicated to lovers and mathematicians worldwide.
This album is dedicated to lovers and mathematicians worldwide.
Recommendations
-
Black Dog Productions - Bytes (CD, Album)
-
Black Dog, The - Temple Of Transparent Balls (CD, Album)
-
Black Dog, The - Spanners (CD, Album)
-
Florence / Wladimir M - Assembled 001/002 (CD, Comp)
-
Terrace - Konnekt (CD, Album)
▸ show all 1 review
Reviews & Discussion
One of the hidden gems of IDM, Max 404’s LOVE & MATHEMATICS is Detroitian jazz by way of the Netherlands (and Mars). From the first quiet strains of “Quiddity (First Visit)” to the itchy clicks of “Trapped,” you can clearly hear the emotion bubbling under the surface. There’s the lovely jazzy textures and snares of “Quiddity (Second Visit),” which should rightly be in the bag of any downtempo DJ, or the cheekily-titled (but apt) “How to Bluff Your Way into Techno Music.” For those who like a harder edge, “Slut” has a darker aggressiveness. Really, an outstanding album through and through. If you can find it, grab it.