He came to protect you.
He's growing every day.
He's made out of mud and letters.
He uses scissors to edit obscure tracks.
No one, except his master, could destroy him...
The time has come for the world to experience the power of the Golem.
jsjones, Jun 14, 2008
Ahmed Fakroun. Born in the Libyan city of Benghazi, he spent long periods in the UK and France in the 1970s and 1980s, recording a handful of singles and albums. Reduced to a mere mention in specialist music encyclopedias after Libya's years of international isolation made it difficult for him to market his music to the outside world. However, he recently came to prominence among obscurity-hungry club DJs when some of his early songs were rediscovered, re-edited and reissued anonymously. Ahmed Fakroun looked set to make his mark in world music circles in the mid-1980s when his album Mots D'Amour, combining traditional Arab instruments and melodies with electronic music and dance rhythms, was released on the Celluloid label in France. But then came the US aerial bombing of Libya in April 1986, followed by years of international sanctions, as evidence of terror links turned Libya's government into a pariah of the West and seriously impeded its citizens' freedom of movement.
"When I look to my press book, I found the articles stopped in 1986," he told the BBC. "It was so difficult for me to be in two places at the same time". "To take a plane to go from my home town to any part of the world, I had to go across the Tunisian border to Jerboa, about 700km, or take a boat to Malta overnight, then [travel] the next day to the other part of the planet. Imagine the rest of the story."
As it happened, record companies did manage to market Arabic pop to international music fans at that time, but Fakroun missed out. Instead, all the action came from neighbouring Algeria, as Khaled, Cheb Mami and others introduced the world to the North African sound known as rai music. And that seemed to be that, until about a year ago. Then a New York-based DJ known as Prince Language unearthed an old Ahmed Fakroun track called Soleil Soleil, re-edited it and put it out on a 12-inch single, renamed Yo Son. "Prince Language delivers an edit of an 80s obscurity that sounds like it could have been an outtake from Talking Heads backing an Arabic R group," said one. A few months later, some French DJs working under the name of Les Edits Du Golem released a 12-inch EP featuring a tune called Pyramide - in reality, a re-edited version of Fakroun's 1977 single Nisyan. Even though neither record was authorised by Fakroun, he was grateful for the renewed exposure. "I was very happy that these tracks are still alive in people's minds," he says. "Thanks to those DJs from all over the world, playing and re-editing and refreshing those tracks. No, I don't mind. It's good for me to hear them in a good re-edit or mix, as long as they respect copyrights"
4.8/5 (