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Gentle Giant - Acquiring The Taste

Label: Vertigo
Catalog#: 6360 041
Format: Vinyl, LP, Album
Country:UK
Released:1971
Genre: Rock
Style: Prog Rock
Credits: Bass - Gary Green , Ray Shulman
Cello - Kerry Minnear
Clarinet - Phil Shulman*
Drums - Martin Smith (12)
Guitar - Gary Green , Ray Shulman
Keyboards - Derek Shulman , Kerry Minnear , Paul Cosh , Phil Shulman*
Other [Liner Notes By] - Gentle Giant
Percussion - Tony Visconti
Producer - Tony Visconti
Saxophone - Derek Shulman , Phil Shulman*
Trumpet - Paul Cosh , Phil Shulman*
Vibraphone - Kerry Minnear
Viola - Ray Shulman
Violin - Ray Shulman
Vocals - Derek Shulman , Kerry Minnear , Phil Shulman* , Ray Shulman
Written-By - Derek Shulman , Kerry Minnear , Phil Shulman* , Ray Shulman
Notes:fold-out cover and originally released with a swirl label.
Rating:   4.6/5 (5 votesRate It
Submitted by:marcelrecords

Tracklisting:

A1   Pantagruel's Nativity
A2   Edge Of Twilight
A3   The House, The Street, The Room
A4   Acquiring The Taste
B1   Wreck
B2   The Moon Is Down
B3   Black Cat
B4   Plain Truth

User Reviews:

marcelrecords, Feb 01, 2008

An almost incredible leap upwards and forwards compared to the debut, this album still stands as one of the highlights of early British prog-rock. The liner notes say it all: ''we have recorded each composition with the one thought - that it should be unique, adventurous and fascinating.'' It is a rare event, that this is not only expressed in words on the cover, but actually hearable almost everywhere in the music. The stunning vocal parts reach a complexity previously unheard of in rock. The interplay is inventive and innovative: combinations of sounds that we have not heard before, still completely clear and misleadingly facile. You never hear the efforts that must have gone into this recording, everything sounds as if it's totally natural. In an interview of March 1998 in 20th century music magazine Ray Shulman states: ''I think Aqcuiring The Taste, our second record, was probably the purest in terms of making music. We just made music and it was never for any other reason. There were no business concerns because we weren't even known. I think that is when you make the purest music because you don't even have an audience.'' Although the last part of this statement maybe doubtful, it perfectly sums up from which angle the music was made. Some 35 years later this still pays off! There is some room to quibble anyway, of course. Some moog-explorations sound dated and the plain rock songs aren't that exciting. On the other hand, the first two tracks are nothing less than masterpieces of inventive rock and there is so much to explore inside the arrangements, that the album will easily outlast the even most diligent listener. Top-notch.

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