Tracklist
| A | Everythings Gone Green | 5:31 | ||
| B1 | Cries And Whispers | 3:26 | ||
| B2 | Mesh | 3:03 |
Companies etc
- Pressed By – EMI Uden
Credits
- Producer – Martin Hannet*
- Written-By – New Order
Notes
Tracklist on the back sleeve erroneously mentions track B1 as Mesh and track B2 as Cries And Whispers - this is corrected on the labels.
Recorded in U.K.
Made In Benelux
Version differs as follows:
FBN 8 on top right of rear cover, grey/white/red labels, different/additional matrix numbers.
Made in EEC in ring around labels.
This edition was also exported to Japan for releases on Shinseido Sirius.
Other Versions (Showing 5 of 5) View All
| Title, Format | Label | Cat# | Country | Year | ||
|---|---|---|---|---|---|---|
| Everythings Gone Green (12") | Factory Benelux | FBNL 8 | Belgium | 1981 | ||
| Everything's Gone Green (CD, Single) | Factory Benelux | FBN 8 CD | Belgium | 1990 | ||
| Everythings Gone Green (12", RE) | Factory Benelux, Factory Benelux | FBN 8, FBN8 | Belgium | 1987 | ||
| Everythings Gone Green (12", RE) | Factory Benelux, Factory Benelux | FBN 8, FBN8 | Belgium | 1986 | ||
| Everythings Gone Green (12") | Factory Benelux, Factory Benelux | SC-63, FBN 8 | Japan | 1984 |
Recommendations
-
New Order - Temptation (12")
-
New Order - Blue Monday (12", Single)
-
New Order - Movement (LP, Album)
-
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New Order - Confusion (12", Single, Emb)
▸ show all 1 review
Reviews & Discussion
Review by
Sep 13, 2005
(edited over 6 years ago)
Everything you'd expect from early New Order - pulsating rhythm, rousing synths, distanced vocals, plus a sound that was somewhere in between Duran Duran and Spandau Ballet - 'Everything's Gone Green' represents a band that is literally getting over their punk roots and determined to carve their own niche in the industry. One of the most endearing elements of New Order's music during this time is the fact that they weren't entirely out of the Joy Division shadow but weren't exactly the New Order they'd become either; hence their sound met half way between organic rawness and electronic overtones. When considering the virtually inane lyrics, relentless beat and its reliance on the lengthy jams, one could just as well call 'Everything's Gone Green' as the forerunner to 'Blue Monday' that would emerge two years later.
[r105552]