Tracklist Hide Credits
| A |
The Bounce
Engineer [2nd Engineer] – Oscar Monsalve Engineer [Mix Engineer] – Dave Darlington* |
7:43 | ||
| B |
Gimme Groove
Backing Vocals – Earl Robinson, Eddie Stockley, Kenny Bobian* Engineer [2nd Engineer] – Phil Pagano Engineer [Mix Engineer] – Steven Barkan |
9:25 |
Companies etc
- Recorded At – Bass Hit Studios
- Mixed At – Bass Hit Studios
- Phonographic Copyright (p) – MAW Records
- Copyright (c) – MAW Records
Credits
- Producer [Created By] – Masters At Work
- Written-By – J. Demairo* (tracks: B), C.K. Gonzalez*, L. Vega*
Notes
Recorded & Mixed at Bass Hit Recording, NYC.
Cat# listed on center labels as MAW 0003 and in runout grooves as MAW-0003.
Other Versions (Showing 2 of 2) View All
| Title, Format | Label | Cat# | Country | Year | ||
|---|---|---|---|---|---|---|
| The Bounce / Gimme Groove (12", W/Lbl, Promo) | MAW Records | MAW 0003 | US | 1995 | ||
| The Bounce / Gimme Groove (12", RE) | MAW Records | MAW-003 | US |
Recommendations
▸ show all 2 reviews
Reviews & Discussion
This is Masters At Work at their absolute peak of being creative and playful!
"The Bounce" unveils layers of layers of extremely clever drumprogramming with a unmatched perfection of the finest details and arrangement. On top of it all an instrument or somehow modulated vocal adds the last spice to set the underground party on fire! A luminous example of how to create wild dancefloor appeal, experiment at the same time and making it all work. One of the big club records of 1995 which again, like many other great releases from this era, could be played in both a House or Techno context.
"Gimme Groove" is a bittersweet lullaby'ish disco groove which is a fitting contrast to "The Bounce". Again MAW delievers something special and of it's own nature. Even thought it's slightly more traditional it catches you straight away and drags you into that special atmosphere that you never want to end.
"The Bounce" unveils layers of layers of extremely clever drumprogramming with a unmatched perfection of the finest details and arrangement. On top of it all an instrument or somehow modulated vocal adds the last spice to set the underground party on fire! A luminous example of how to create wild dancefloor appeal, experiment at the same time and making it all work. One of the big club records of 1995 which again, like many other great releases from this era, could be played in both a House or Techno context.
"Gimme Groove" is a bittersweet lullaby'ish disco groove which is a fitting contrast to "The Bounce". Again MAW delievers something special and of it's own nature. Even thought it's slightly more traditional it catches you straight away and drags you into that special atmosphere that you never want to end.
[r11967]