| 1-1 | Rogelio Sosa – | Vinylika | 7:02 | |
| 1-2 | Christian Galaretta* – | Marañon (Part VI) | 10:25 | |
| 1-3 | Li Chin Sung aka Dickson Dee – |
Shame (Tetsuo Furudate Sound Materials Remix)
Performer [Track Elements] – Tetsuo Furudate Remix – Dickson Dee |
4:58 | |
| 1-4 | François-Bernard Mâche – | Prélude | 5:30 | |
| 1-5 | Richard Maxfield – | Pastoral Symphony | 4:02 | |
| 1-6 | Wolf Vostell – | Elektronicher Dé-Collage. Happening Raum. | 2:59 | |
| 1-7 | Charlemagne Palestine – | Seven Organism Study | 7:53 | |
| 1-8 | André Boucourechliev – | Texte 2 | 4:36 | |
| 1-9 | Helmut Lachenmann – | Scenario | 12:30 | |
| 1-10 | Alireza Mashayekhi – |
Shur, Op.15
Violin – Houshang Taheri |
6:29 | |
| 1-11 | Claude Ballif – | Points, Mouvements | 10:14 | |
| 2-1 | Mauricio Kagel – | Antithèse | 9:21 | |
| 2-2 | Vladimir Mayakovsky – | And Would You? | 0:33 | |
| 2-3 | Raoul Hausmann – |
Fmsbw
Recorded By – Henri Chopin |
0:46 | |
| 2-4 | Gil Joseph Wolman* – | Mégapneumies, 24 Mars 1963 | 4:55 | |
| 2-5 | Léo Kupper* – | Electro-Poème | 5:55 | |
| 2-6 | Josef Anton Riedl – | Leonce Und Lena | 2:18 | |
| 2-7 | Sten Hanson + Henri Chopin – |
Tête À Tête
Composed By [Final Composition], Electronics [Sound Treatments] – Hanson* Recorded By, Voice – Chopin* |
5:08 | |
| 2-8 | Dajuin Yao – | Satisfaction Of Oscillation | 9:27 | |
| 2-9 | Pere Ubu – |
Sentimental Journey
Bass – Tony Maimone Drums – Scott Krauss Guitar – Tom Herman Synthesizer – Allen Ravenstine Voice – David Thomas (2) |
7:02 | |
| 2-10 | Ground Zero (3) – |
Live 1992
Bass – Kato Hideki Drums – Uemura Masahiro* Saxophone – Hirose Junji* Turntables, Guitar – Otomo Yoshihide Voice – Yamatsuka Eye |
0:59 | |
| 2-11 | Masonna / Yamazaki "Maso" Takushi* – | Spectrum Ripper (Part I-II-III) | 3:33 | |
| 2-12 | Sutcliffe Jügend – |
Blind Ignorance
Vocals, Electronics – Kevin Tomkins |
5:40 | |
| 2-13 | Club Moral – |
L'enfer Est Intime
Electronics – AMVK Voice – DDV |
6:33 | |
| 2-14 | Dub Taylor (3) – | Lumière (Part I) | 17:12 |
Issued in a six panel Digipak. Includes a 56 page booklet attached to the cover.
Mastered at Le Laboratoire Central, Brussels.
Iconography: Morphophone, a machine with then playback heads to replay tape loops in echo, imagined by Pierre Schaeffer and built by Jacques Poullin (circa 1951).
1-1: Previously unreleased track from 2003.
1-2: Part six of a previously unreleased suite from 2004.
1-3: Original track written in 1994. This is a previously unreleased remix from 2007.
1-4: Created at the GRM in 1959.
1-5: Recorded in 1960.
1-6: Sounds from an installation presented at the Venice Biennial in 1968.
1-7: Recorded in 1968.
1-8: Created 1959 for the GRM.
1-9: Recorded in 1965.
1-10: Composed at Gaudeamus Electronic Studio in Bilthoven and at the Utrecht Studio of Sonology in The Netherlands in 1966.
1-11: Recorded in 1962.
2-1: Recorded in 1962.
2-2: Recorded in 1920, restructured in the late 1930s.
2-3: Written in 1918, recorded in 1956-57.
2-4: Written in 1950, recorded live in 1963.
2-5: Recorded between 1963 and 1970, a work for twelve young girls and boys.
2-6: Recorded in 1963.
2-7: Recorded at Fylkingen Studio in Stockholm, 1973.
2-8: Previously unreleased unedited live recording from 1997.
2-9: Previously unreleased live version from 1978.
2-10: Recorded live at 200000V in Tokyo, March 1992.
2-11: Recorded between 1996 and 1997.
2-12: Previously unreleased track from 2007.
2-13: Recorded live on May 3, 1985, at Staalplaat, Amsterdam. Previously unreleased.
2-14: Part of a two-part work recorded in 1972.