Neuronium ‎– Synapsia

You get the idea in listening to Synapsia that Michel Huygen sat down with a stack of old vinyl LPs before recording this album. For example the third track, "Vortopsia", sounds like a recent Neuronium track for all of a minute. Then the electronic bass line kicks in and the synth melody changes and you get the feeling of some vintage Tangerine Dream in their mellower moments. The piece could have been inspired by the B-side of Stratosfear or "Hanuted Heights" from '70-'80. Every track on Synapsia has an electronic bass line. Some of it definitely has that vintage sequencer driven Berlin School sound. There's a fair amount of Vangelis and Patrick O'Hearn influence as well, with a dash of Klaus Schulze here and there. Really, though, I think more than anything Huygen listened to his own early works with Neuronium.

Don't misunderstand me; there's none of the high flying space rock of The New Digital Dream. Huygen is completely on his own now despite keeping the Neuronium name. At times I wish it wasn't so. "Brainsucker" could have really benefited from the powerful electric guitar that Santi Pico brought to The Visitor rather than a synthesized sort-of guitar sounding section. All in all what Huygen has done is blend the gentler sound of newer Neuronium with the sensibilities and sounds and influences of early Neuronium. The result doesn't sound like something out of the late '70s and early '80s. The instrumentation is pure 21st century. The good news is that it doesn't sound like sickly sweet new age glop either. It's brilliant, interesting electronic music that builds in complexity as it goes. It's an updating of the early Neuronium feeling in a way that's long overdue. Synapsia is the best album released under the Neuronium name in a quite some time.

-Caitlyn Martin