Kraftwerk ‎– Autobahn

Label:
Kling Klang – CDP 564 - 7 46153 2, EMI Electrola – CDP 564 - 7 46153 2, Kling Klang – CDP 564-7 46153 2, EMI Electrola – CDP 564-7 46153 2
Format:
CD, Album, Reissue
Country:
Released:
 
Genre:
Style:

Tracklist Hide Credits

1 Autobahn
Lyrics By – Schult*, Schneider*, Hutter*
22:42
2 Kometenmelodie 1 6:20
3 Kometenmelodie 2 5:45
4 Mitternacht 3:40
5 Morgenspaziergang 4:00

Credits

Notes

European version. There are other versions of this release with the same catalog number though differences in barcode and place of manufacture.

Catalog# on spine and back cover: CDP 564 - 7 46153 2
Catalog# on disc: CDP 564-7 46153 2

℗ 1974 Kraftwerk
Klingklang

EMI Electrola GmbH
Printed in EU

Disc: Made in EU

Barcode and Other Identifiers

  • Barcode (Text): 0 77774 61532 7
  • Barcode (String): 077774615327
  • Label Code: LC 4513
  • Rights Society: BIEM / STEMRA
  • Matrix / Runout (Variant 1): EMI UDEN 7461532 @ 1 1-3-3-NL
  • Other (Variant 1 Mastering SID Code): IFPI L046
  • Other (Variant 1 Mould SID Code): IFPI 1448
  • Matrix / Runout (Variant 2): 7461532-CD V40948
  • Other (Variant 2 Mastering SID Code): IFPI LD02
  • Other (Variant 2 Mould SID Code): IFPI 5J82

Other Versions (Showing 5 of 75) View All

Title, Format Label Cat# Country Year
Autobahn (LP, Album) Philips, Philips 6305 231 D, 6305 231 Germany 1974
Autobahn (LP, Album) Vertigo RJ-7010 Japan 1974
Autobahn (LP, Album, RE) Warner Bros. Records 25326-1 US 1985
Autobahn (LP, Album) Vertigo BT-5191 Japan 1978
Autobahn (LP, Album) Philips, Phonogram 6305 231 Greece 1975
▸ show all 1 review

Reviews & Discussion

Rated 5/5
Review by maroko Jun 09, 2009
One of the best albums I have ever listened to. While there has been quite a lot of debating about which Kraftwerk album is the most influential, futuristic, and innovating one, I won't even try to get into all of that here. Happily enough, I recently rediscovered the simple beauty and floating musicality of "Autobahn", was totally blown away and thought I might share my experiences with potential readers.
The classic track title needs little to no introduction, with a sample of a car ignition, and then a vocoder voice repeats the word 'autobahn'; from there on we're on a 22 minute journey, loaded with awesome drum patterns and phenomenal segments played on keyboards, weird and electroish melodies and various far reaching sounds - to sum it all up: a fabulous voyage through the world of electronic music, which sounds incredibly amazing even today, one can only imagine what this must have sounded like to people who first heard it back in 1974...
The next four tracks, Kometenmelodie parts 1 and 2, Mitternacht and Morgenspaziergang are voiceless excursions through carefully crafted and carried out melody work and pure exploration of how far can electronic equipment go. Everything is mixed up here: piano, violin, guitar, synthesizers, and it all sounds so compact, so well put together. A special mention goes to the closing track, which has a gorgeous lead played on a flute, and it's a perfect outro to this otherwise perfect album. Maybe it's the lack of vocals, maybe it's the somewhat laid back feel of the music, but I just adore the way in which computer manipulation has been given an opportunity to collaborate with classical instruments, thus enabling the single tracks to fully express themselves, and touch more than any vocal in any language ever could.
When people speak about timeless music, I guess this is one of those albums they should be refering to. Too often does it happen today that I hear phrases like "a few years ago this was a hot and exquisite item, but it hasn't stoo up the test of time so well". Similar sounding reviews and opinions are too many to keep track of. But that shouldn't be a problem, especially if you're about to listen to "Autobahn", a fantastic trip down to the core roots of electronic music. Seriously though, if german highways were this pleasant to drive on, I would never want to get off them...