Void Settler & Labyrinth (2) – Amphibious Lemonade Strangling / Deceive The World To Rule The Planet
Label:
The Third Movement – T3RDM-00031
Format:
2 ×
Vinyl, 12", 33 ⅓ RPM
Country:
Released:
Genre:
Style:
Tracklist
| A1 | Void Settler – | Augmented Morbid Plane Rehearsal | 6:34 | |
| A2 | Void Settler – | Proceed Manually | 4:47 | |
| A3 | Void Settler – | Another Particle Accelerator Reminiscing About Lost Glory | 5:27 | |
| B1 | Void Settler – | Illicit Angst | 5:19 | |
| B2 | Void Settler – | Amphibious Lemonade Strangling | 5:37 | |
| B3 | Void Settler – | Flabby Context Backache Tourist | 4:51 | |
| C1 | Labyrinth (2) – | The Beginning (Lands Lost Who Rule This World) | 0:53 | |
| C2 | Labyrinth (2) – | Demise Of The Living / Departure Of The Dead | 6:51 | |
| C3 | Labyrinth (2) – | Interval #1 (Stereotypical Point & Proof) | 0:30 | |
| C4 | Labyrinth (2) – | Miners Worship The Darkness Embedding Their Soul | 6:38 | |
| D1 | Labyrinth (2) – | Interval #2 (No Hatred Amongst Our Kind) | 0:31 | |
| D2 | Labyrinth (2) – | MC Hammer's Local Crud Machine | 4:21 | |
| D3 | Labyrinth (2) – | The End (Aggravated Shoeshine Assault) | 0:32 | |
| D4 | Labyrinth (2) – | Indelible Tranquil Stairway From Looped Mustard Fabric | 6:06 |
Credits
- Producer, Written-By – Djarvi Moris
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[r135265]
the first vinyl can be described as a mixture of newstyle hardcore, very hard techno and breakbeat. if the subgenre "hardcore IDM" would exist, this would be it's best definition: a mixture of clashing highhat/fx-sounds and deep, kicking bassdrums, assembled in a very variedly way, nearly no straight 4/4 beats, a full load of stylish breaks, but still very danceable and in a rhythmn that makes you shake your head instantly. and to make it perfect, it's neither too hard, too overdriven or too childish like most of the hardcore/breakcore/speedcore creations.
Vinyl number two differs from #1 in many ways. First, it is way slower, even slower than most of the usual techno stuff (about 100-120 bpm, maybe even below that). Then it consists of a lot of "ambient" sounds, making the whole composition sound very abstract and experimental. There are long passages without any beat at all, and now and then the instruments known from vinyl one kick in and mess with your mind. top stuff.
my personal favourites are A2, a killer on the dancefloor, since its brutally kicking but definitely not monotone, and C4/D4, a mix of spheric, ambient trance tunes with harsh breakcore drums & snares-
highly addictive release!