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Dreadzone - 360°


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Label: Creation Records
Catalog#: CRECD 162
Format: CD
Country:UK
Released:01 Jul 1993
Genre: Electronic
Style: Progressive House, Dub
Credits: Edited By - Ted Hayton
Keyboards, Synthesizer, Programmed By - Greg Roberts , Tim Bran
Mixed By, Engineer - Tim Bran
Vocals - Deborah Irie , Melanie Blatt
Notes:Produced By Dread Zone

Melanie Blatt is credited as Melanie Guillaume.

4 samples from 'For A Few Dollars More' by Ennio Morricone.

Recorded at Dubly Studios, West London, England in Spring 1993.

CD is housed in a hardcover "Compac Plus" case.
Rating:   4.4/5 (19 votesRate It
Submitted by:Escapist

Tracklisting:

1   House Of Dread (5:04)
    Written By - Don Letts , Greg Roberts , Leo Williams
2   L.O.V.E. (7:09)
    Written By - Greg Roberts , Tim Bran
3   Chinese Ghost Story (6:09)
    Written By - Clent Mah , Greg Roberts
4   The Good The Bad And The Dread (6:51)
    Written By - Enrico Morricone , Greg Roberts
5   The Warning (7:05)
    Written By - Greg Roberts , Tim Bran
6   Dream On (5:23)
    Keyboards - Dan Donovan
  Written By - Greg Roberts
7   Far Encounter (8:22)
    Written By - Greg Roberts
8   Skeleton At The Feast (5:38)
    Written By - Greg Roberts
9   Rastafarout (7:01)
    Written By - Greg Roberts , Tim Bran

User Reviews:

ceach, Mar 05, 2007

This is what the Dreadzone sound is about, at least that's how I think it's intended : very organic, trippy & trancy, with a slightly sweaty vibe, heavy on the bass, dreamy on the synths. There are more bands that match these characteristics, but far too often, there’s a critical point of difference : Dreadzone never gets lost into soundscapes that go nowhere at all. It still remain songs with a body - and Lord, what goodies they are. This is a boiling meltpot that embraces multiple continents and skin colors, spaghetti westerns, spliffs, sci-fi, nachos, dub and tequila. If you like this, be sure to check out the Performance album, which is nearly entirely based on this album, and even outstands this, because of the massive vibe it creates that no studio can achieve. I’d still give my left nut for a flashback to those concerts.

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