Surgeon - Force + Form


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Label: Tresor
Catalog#: Tresor 117
Format: 2 x Vinyl, 12", 33 ⅓ RPM, Album
Country:Germany
Released:1999
Genre: Electronic
Style: Techno
Notes:Record cover has two errors.
Spine has misprint of title which reads FORM+FORCE, while on the back, the track name of C-side is displayed as "Returning Of The Purity Of Current".
"Remnants Of What Once Was" consists of two parts which are listed as the following: "The Hollow Men" and "Ice"
Rating: 4.40/5 (124 votes) Rate It
463 have this / 80 want this
12 for sale in the Discogs Marketplace

Tracklisting:

A   Remnants Of What Once Was (9:47)
B   Black Jackal Throwbacks (11:44)
C   Returning To The Purity Of Current (8:21)
D   At The Heart Of It All (10:40)
User Reviews:
EDJ303, Sep 22, 2003

At a point in time when techno had become a bit exhausted in terms of musical development, Anthony Childs, the British techno producer who calls himself Surgeon, managed to push the decade-old genre forward with his Force & Form album. It was at this point in the late 90s when techno songs had evolved into sincere tracks, short cycles of looped rhythms characterized by repetition and a lack of progression. Jeff Mills Purpose Maker releases such as Kat Moda had perfected this practice of producing music with DJs in mind rather than the home listener. The reason Force & Form can be seen as such a breakthrough rests in its status as a record just as appealing to home listeners as DJs. Child accomplishes this challenging task quite brilliantly. There are four sides of vinyl on Force & Form, meaning that the four songs on the album each get an entire side to itself. Drop the needle at the outermost groove and the spinning record will emanate a ten-minute adventure into cycling tribal techno rhythms with heavy percussive bass. Unlike the Maurizio records, which also spin for epic lengths, the songs on Force & Form actually progress through actual movements, where rhythms change and new arrangements construct themselves as if two different techno records are being seamlessly mixed. Each of these four songs begin with several minutes of repetitive techno rhythms similar to the sort of tracks Child recorded for his Basictonalvocabulary album. After a few minutes of locked groove-type sounds, the songs then shift with the low-frequency bass rumbles being eclipsed by tranquil atmospheric tones. Soon the serene subtly of these high-frequencies gets shattered by the slowly growing construction of the next monolithic percussive hailstorm that will carry listeners through the final few minutes of the song. As if the rhythms werent marvelous enough — challenging even Mills himself as the latest contender for king of techno dancefloors — Childs ability to craft brave multi-sectioned epics makes this an even more incredible album than anything he had accomplished up until this point. His debut Tresor album from two years earlier, Basictonalvocabulary, only hinted at his potential to become one of the genres most important producers.

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Contributors to this data: hotlizard, Haze, dreamdancer, FaC14, md, consort