| 1-01 | Fokus – | On Line | 4:50 | |
| 1-02 | DJ Trace – | After Hours | 5:23 | |
| 1-03 | Adam F – | Circles | 7:42 | |
| 1-04 | Voyager (3) – | Voyager | 5:47 | |
| 1-05 | Adam F – | Aromatherapy | 6:22 | |
| 1-06 | MI5 (3) – | Experience | 5:58 | |
| 1-07 | DJ Trace – | By Any Means Necessary | 5:12 | |
| 1-08 | Fokus – | Jazzed Out | 5:35 | |
| 1-09 | Code Blue (3) – |
Angels In Dub (DJ Crystl Remix)
Remix – DJ Crystl |
3:39 | |
| 1-10 | Adam F – | F Jam | 6:20 | |
| 1-11 | Simon "Bassline" Smith – | Midnite | 4:03 | |
| 1-12 | DJ Crystl – | Let It Roll | 4:55 | |
| 1-13 | DJ Crystl – | Meditation | 7:10 | |
| 1-14 | Orca – | Tranquility To Earth | 4:02 | |
| 2-01 | Future Sound Of Hardcore – | Promised Land | 6:08 | |
| 2-02 | Orca – | Discovery | 6:39 | |
| 2-03 | Street Science – | Come To Me | 7:14 | |
| 2-04 | Fokus – | Wired | 6:57 | |
| 2-05 | Future Sound Of Hardcore – | Desire (Original Mix) | 6:26 | |
| 2-06 | Code Blue (3) – |
Angels In Dub (DJ Crystl Remix)
Remix – DJ Crystl |
5:14 | |
| 2-07 | Atlas (5) – | Second Heaven | 7:24 | |
| 2-08 | Future Sound Of Hardcore – | Euphoria | 6:45 | |
| 2-09 | DJ Trace – | West Coast | 6:33 | |
| 2-10 | Fokus – | On Line (Dub Mix) | 5:57 | |
| 2-11 | Adam F – | Sea Of Destiny (Remix) | 6:14 | |
| 2-12 | Slipmaster J – |
Groundhog Day (DJ Crystl Remix)
Remix – DJ Crystl |
5:23 |
Track 2-12 artist is listed as "MI6".
| Title, Format | Label | Cat# | Country | Year | ||
|---|---|---|---|---|---|---|
| Higher Limits Presents 'Promised Land Vol. 1' (Cass, Mixed, Promo) | Higher Limits | HLPLMCIA | UK | 1995 | ||
| Promised Land Volume One (CD, Comp, Mixed + CD, Comp) | Mutant Sound System | MSS 0006-2 | US | 1997 | ||
| Promised Land Volume 1 (3xLP, Comp) | Higher Limits | HLPLLP1 | UK | 1996 |
As for the music, high quality from an excellent label. Especially lesser known tracks like MI5 "Experience", in fact another guise for DJ Crystl. The second disc brings some fine moments too, albeit less inspiring than the mixed disc. The only low point is that, being a show-case of dee-jay recordings, maybe it does not reflect the true versatility of Bukem's sets at the time (and which he lost later on by playing only Good Looking tracks, but that's another story).