Various - The Matrix Reloaded: The Album |
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Tracklisting:
| 1-01 | Linkin Park | Session (2:23) |
| 1-02 | Marilyn Manson | This Is The New Shit (4:20) |
| 1-03 | Rob Zombie | Reload (4:25) |
| 1-04 | Rob Dougan | Furious Angels (5:29) |
| 1-05 | Deftones | Lucky You (4:08) |
| 1-06 | Team Sleep | The Passportal (2:55) |
| 1-07 | P.O.D. | Sleeping Awake (3:23) |
| 1-08 | Ünloco | Bruises (2:36) |
| 1-09 | Rage Against The Machine | Calm Like A Bomb (4:58) |
| 1-10 | Oakenfold* | Dread Rock (4:40) |
| 1-11 | Fluke | Zion (4:33) |
| 1-12 | Dave Matthews Band | When The World Ends (Oakenfold Remix) (5:26) |
| Remix - Oakenfold* | ||
| 2-01 | Don Davis (4) | Main Title (1:30) |
| 2-02 | Don Davis (4) | Trinity Dream (1:56) |
| 2-03 | Juno Reactor | Teahouse (1:04) |
| Featuring - Gocoo | ||
| 2-04 | Rob Dougan | Chateau (3:23) |
| 2-05 | Don Davis (4) , Juno Reactor | Mona Lisa Overdrive (10:08) |
| Vocals - Taz Alexander | ||
| 2-06 | Don Davis (4) , Juno Reactor | Burly Brawl (5:52) |
| 2-07 | Don Davis (4) | "Matrix Reloaded" Suite (20:07) |
| Prodigy* - The Fat Of The Land (CD, Album) | Various - The Matrix (Music From The Motion Picture) (CD) | Prodigy, The - Music For The Jilted Generation (CD, Album) | Prodigy, The - Experience (CD, Album) | Chemical Brothers, The - Surrender (CD, Album) |
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OmegaSupreme, Apr 06, 2005 It was an interesting decision to release this album as a 2-disc set with the band contributions on one disc and the original score on the other. Usually the score would be given its own album release as most people only want one or the other. In the end though, I dont think the format worked too well. I sold my copy as I couldnt stand the thought of even possessing the first disc. If only theyd released it seperately! The 2nd disc is pure gold, while the first is just a bunch of cool artists trying to do cool songs.
The Don Davis/Juno Reactor collaborations are somewhat groundbreaking and a definite highlight. The concept has been tackled before (Michael Kamen and Orbital collaborated on the score for Event Horizon) but on The Matrix, is was done extremely well, providing the necessary punch for particular scences, but maintaing the musical identity and themes that Don Davis had set up with the rest of the score.
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