| 1 |
Right Here, Right Now
Written-By – Peters*, Slim*, Walsh* |
6:28 | ||
| 2 |
The Rockafeller Skank
Written-By – Slim*, Barry*, Terry* |
6:53 | ||
| 3 |
Fucking In Heaven
Written-By – Fatboy Slim |
3:54 | ||
| 4 |
Gangster Tripping
Written-By – Dust Junkys, Slim*, Davis* |
5:20 | ||
| 5 |
Build It Up - Tear It Down
Written-By – Fatboy Slim |
5:05 | ||
| 6 |
Kalifornia
Written-By – Slim*, Mr Natural* |
5:53 | ||
| 7 |
Soul Surfing
Written-By – Nelson*, Slim*, Smith* |
4:56 | ||
| 8 |
You're Not From Brighton
Written-By – Fatboy Slim |
5:20 | ||
| 9 |
Praise You
Written-By – Yarborough*, Slim* |
5:23 | ||
| 10 |
Love Island
Written-By – Fatboy Slim |
5:18 | ||
| 11 |
Acid 8000
Written-By – Fatboy Slim |
7:28 |
Track 2, "The Rockafeller Skank", contains elements from "Sliced Tomatoes" as performed by Just Brothers. Also contains a sample from "Beat Girl" by The John Barry Seven.
Track 4, "Gangster Tripping", contains a sample from "Entropy" as performed by DJ Shadow. Also features a sample of "Beatbox Wash" by The Dust Junkys.
Track 5, "Build It Up - Tear It Down", features a sampled extract by The Purple Fox.
Track 7, "Soul Surfing", features a sample from "I'll Do A Little Bit More", performed by The Olympics.
Track 9, "Praise You", features a sample from "Take Yo Praise" by Camille Yarbrough.
℗ Skint Records 1998
© Skint Records 1998
Made in Austria
| Title, Format | Label | Cat# | Country | Year | ||
|---|---|---|---|---|---|---|
| You've Come A Long Way, Baby (CD, Album) | Skint Records | BRASSIC 11CD | UK | 1998 | ||
| You've Come A Long Way, Baby (2xLP, Album) | Skint Records | BRASSIC 11LP | UK | 1998 | ||
| You've Come A Long Way, Baby (CD, Album + CD, Single, Ltd) | Skint Records, Skint Records, Skint Records | SKI 491973 2, 01-491973-10, 01-491973-11 | Europe | 1998 | ||
| You've Come A Long Way, Baby (CD, Album) | Epic/Sony | ESCA-7424 | Japan | 1998 | ||
| You've Come A Long Way, Baby (2xLP, Album) | Skint Records | SKI 491973 1 | Europe | 1998 |
Oh my, talk about albums that haven't aged well!
The whole album seems very much tied to its time, there really is no timeless quality to this. Most tracks (The Rockafeller Skank being a prime example) are gimmicky up to the point of being downright annoying and the sounds/samples are pretty crude (and not in a good way!).
Of course the album has its high points - Right Here, Right Now, Praise You and Acid 8000 are all fantastic tracks but the rest are severely lacking in comparison. I suppose the biggest disappointment is that the album sounds so different to what I remembered. A golden memory crushed.