Larry Levan – Live At The Paradise Garage
Label:
Strut – STRUTCD 006
Format:
2 ×
CD, Compilation, Mixed
Country:
Released:
Genre:
Style:
Tracklist Hide Credits
| 1-01 | Ashford & Simpson – |
Bourgie Bourgie
Arranged By – Paul Riser Producer – Nickolas Ashford & Valerie Simpson* |
5:47 | |
| 1-02 | Damon Harris – |
It's Music
Arranged By – Larry Hatchett Composed By – C. Buie*, J. Ellison*, M. Swartz*, T. McLean* Producer – Bud Ellison* |
4:53 | |
| 1-03 | T Connection* – |
At Midnight
Arranged By – Cory Wade, T Connection* Composed By – David Mackey, Theophilus Coakley Producer – Cory Wade |
5:45 | |
| 1-04 | Stephanie Mills – |
Put Your Body In It
Composed By – Edward Moore, Howard King Producer – James Mtume, Reggie Lucas |
6:05 | |
| 1-05 | Crown Heights Affair – |
Dreaming A Dream
Composed By, Producer – Britt Britton, Freida Nerangis |
3:05 | |
| 1-06 | Bunny Sigler – |
By The Way You Dance (I Knew It Was You)
Composed By – D. Richardson*, G. Bell*, L. Davis* Producer, Mixed By – Bunny Sigler |
6:51 | |
| 1-07 | Shalamar – |
Right In The Socket
Composed By – Dick Griffey, Kevin Spencer, Leon Sylvers Producer – Leon Sylvers |
3:02 | |
| 1-08 | Cher – |
Take Me Home
Composed By – Bob Esty, M. Aller* Producer, Arranged By, Conductor – Bob Esty |
6:09 | |
| 1-09 | Melba Moore – |
Pick Me Up, I'll Dance
Composed By – Gene McFadden, John Whitehead, R. Rose* Producer – Gene McFadden, John Whitehead |
3:56 | |
| 1-10 | Munich Machine – |
Get On The Funk Train
Arranged By – Giorgio Moroder Composed By – Giorgio Moroder, Pete Bellotte Producer – Giorgio Moroder, Pete Bellotte |
4:55 | |
| 1-11 | People's Choice – |
Here We Go Again
Composed By, Arranged By – Leon Huff Engineer – Joe Tarsia Producer – Kenneth Gamble and Leon Huff* |
3:19 | |
| 2-01 | People's Choice – |
Here We Go Again (Cont.)
Composed By, Arranged By – Leon Huff Engineer – Joe Tarsia Producer – Kenneth Gamble and Leon Huff* |
0:28 | |
| 2-02 | Motown Sounds – |
Bad Mouthin'
Composed By, Arranged By, Producer – Michael L. Smith |
4:57 | |
| 2-03 | Supremes* – |
Let Yourself Go
Composed By – B. Holland*, E. Holland*, H. Beatty* |
3:47 | |
| 2-04 | Change – |
Angel In My Pocket
Arranged By, Conductor – David Romani*, Paolo Gianolio Composed By – David Romani*, T. Willoughby* Featuring – Goody Music Orchestra, The* Producer – Jacques Fred Petrus |
5:28 | |
| 2-05 | Janice McClain – |
Smack Dab In The Middle
Composed By – Milt Tennant, Thom Page, Thom Smith Producer – Milt Tennant, Thom Page Producer [Additional], Remix – Larry Levan |
4:46 | |
| 2-06 | Jakki – |
Sun...Sun...Sun...
Composed By, Producer – Johnny Melfi Engineer – Edison Youngblood* |
2:37 | |
| 2-07 | John Gibbs & The U.S. Steel Band* – |
Trinidad
Composed By – DeLise, J. Gibbs* |
4:07 | |
| 2-08 | Chi-Lites* – |
My First Mistake
Composed By – Phil Hurtt, Richard Rome* Producer – Richard Rome* |
3:36 | |
| 2-09 | Jermaine Jackson – |
Erucu
Arranged By – Gil Askey Composed By – D. Daniels*, Jermaine Jackson Producer – Jermaine Jackson |
5:42 |
Companies etc
- Phonographic Copyright (p) – Strut
- Phonographic Copyright (p) – West End Records
- Phonographic Copyright (p) – Garage Records
- Copyright (c) – Strut
- Copyright (c) – West End Records
- Copyright (c) – Garage Records
Credits
- DJ Mix – Larry Levan
- Mastered By – Giovanni*, Greg Vaughn, Tom Moulton
Notes
Recorded live at the Paradise Garage, King Street, New York in 1979 by Larry Levan.
Manufactured in the EU.
This compilation
℗ 2000
© 2000
Other Versions (Showing 4 of 4) View All
| Title, Format | Label | Cat# | Country | Year | ||
|---|---|---|---|---|---|---|
| Live At The Legendary Paradise Garage (2xCD, Comp, Mixed, RE) | Garage Records, Garage Records | GCD-2000, GCD2000-2 | US | 2003 | ||
| Live At The Legendary Paradise Garage (2xCD, Comp, Mixed, RE) | Garage Records, Garage Records, Garage Records | GCD2000-2, GCD2000, GCD-2000 | US | 2003 | ||
| Live At The Paradise Garage (CD, Promo) | Strut | STRUTCD 006 | UK | 2000 | ||
| Larry Levan Live At The Paradise Garage (3xLP, Comp) | Strut | STRUTLP 006 | UK | 2000 |
Recommendations
-
Masters At Work - The Tenth Anniversary Collection - Part One (1990 - 1995) (4xCD, Comp)
-
Dimitri From Paris - Disco Forever (The Sound Of Underground Disco) (CD, Comp, Mixed + 2xCD, Comp)
-
David Mancuso - David Mancuso Presents The Loft (2xCD, Comp)
-
Kruder Dorfmeister* - The K&D Sessions™ (2xCD, Mixed, Comp, Dig)
-
Masters At Work - The Tenth Anniversary Collection - Part Two (1996 - 2000) (4xCD, Comp)
▸ show all 8 reviews
Reviews & Discussion
As a long time patron of clubs and dancing I can tell you that no disk will ever capture the feel of the Garage. The Garage had that perfect symbiosis that must occur between the dj and the crowd. The Garage was home to music that only worked there because we were Larry's lab rats and we loved it. We showed the world how Gays and Straights could come together for the sake of music and make it happen... If I had know that we were making history I would have demanded that we would have record more to save for prosperity...
This is a great deal.
Beautifully packaged, great booklet and liner notes, and only cost 9 bucks brand new.
A DJ doing what DJ's are supposed to do...
Pick good records and Play them. Enjoy yourself, and help the crowd do the same.
(As far as mixing faults go, the stories of Larry leaving the booth during a set to clean the lights for half an hour because he wanted the experience to be the best it could be show that seemless mixing and dj tricks where not what it was about. He even slows some tracks down towards the end to mix in the next at it's proper speed, rather than just getting faster and faster. A true journey - up down and back again. Class.)
Beautifully packaged, great booklet and liner notes, and only cost 9 bucks brand new.
A DJ doing what DJ's are supposed to do...
Pick good records and Play them. Enjoy yourself, and help the crowd do the same.
(As far as mixing faults go, the stories of Larry leaving the booth during a set to clean the lights for half an hour because he wanted the experience to be the best it could be show that seemless mixing and dj tricks where not what it was about. He even slows some tracks down towards the end to mix in the next at it's proper speed, rather than just getting faster and faster. A true journey - up down and back again. Class.)
This is one of the most imperfect live mix CDs available, and would simply not obtain a release if it was recorded by a current DJ.
But this was recorded in much more primitive times, when DJ technology wasn't as developed, underground clubs were not all about perfect mixing and 8 hours of identical, formulaic music.
On this CD, you can hear manual adjustments to record speeds, trainwreck mixing and even some ill-advised mix selections, as well as analogue sound quality.
Yet it all sounds SO much better than your run-of-the-mill "Now That's What I Call Making £££ Out Of The Club Scene II" mix CD released today; most of which aren't really "live mixes", but are made on computers to ensure perfect beatmatching. zzzzzz....
Why then, is this CD apparently so great?
Because you can really feel the passion the DJ has for the music, and the quality of the music is so high that the recording's technical imperfections don't detract from the experience.
Just imagine that you are there. Imagine that your first rave in 1988 was really a visit to the Paradise Garage in 1970s, and just imagine how you would have felt. Would you have been listening out for technically-perfect DJing, or would you have been having the time of your life, at the start of something significant?
Since buying this, I have listened to this dozens of times, and it still sounds amazing. Buy this and listen to history being made. It really is that good.
But this was recorded in much more primitive times, when DJ technology wasn't as developed, underground clubs were not all about perfect mixing and 8 hours of identical, formulaic music.
On this CD, you can hear manual adjustments to record speeds, trainwreck mixing and even some ill-advised mix selections, as well as analogue sound quality.
Yet it all sounds SO much better than your run-of-the-mill "Now That's What I Call Making £££ Out Of The Club Scene II" mix CD released today; most of which aren't really "live mixes", but are made on computers to ensure perfect beatmatching. zzzzzz....
Why then, is this CD apparently so great?
Because you can really feel the passion the DJ has for the music, and the quality of the music is so high that the recording's technical imperfections don't detract from the experience.
Just imagine that you are there. Imagine that your first rave in 1988 was really a visit to the Paradise Garage in 1970s, and just imagine how you would have felt. Would you have been listening out for technically-perfect DJing, or would you have been having the time of your life, at the start of something significant?
Since buying this, I have listened to this dozens of times, and it still sounds amazing. Buy this and listen to history being made. It really is that good.
Excellent historical document - this was just a regular night at the Paradise Garage recorded on tape , while the action was on . You can hear that it's from a tape , because track 11- People's Choice- "Here We Go Again" .. is split into 2 parts , something that happened a lot when the 45 minutes of a cassette's running-time was over , before the song was finished . This is 80 minutes of pure Paradise Garage spirit caught in the act .. He used 2 Thorens turntables without pitch control and a very primitive mixer ,so all of the turnovers are made manually . The only extravaganza you hear here are parts of the intro to an old Grand Funk Railroad track layed over the last song "ERUCU'" by Jermaine Jackson.. children's voices saying - " obey your mother and your father , do what the teacher says and everything will be allright .".another kid says : "I believe there are more people that are bad , than there (are) good ; when you're good you'll live forever , when you're bad you'll die when you die.."
Attention, at this moment you hear music history. The mix isn't that what most of us understand as a technically perfect DJ-set, but I can imagin that THIS was an absolutely INSANITY at this time! Listen and feel the avantgarde in it. Yes.
[r21473]
When this first came out, I didn't really get it, being more into the eclectic Loft sound. 11 years on from the release, this Levan mix just gets better and better and is played all the time, especially in the car where I can turn it right up.
To some modern ears I guess the mixes sound ropey, there are some key clashes, but to me the sound if full on, proper songs for the most part, dripping with emotion. Can't beat it!