| A1 | King Tubby (2) – |
Psyche Out
Written By – R. Noise / P. Ornot |
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| A2 | Pearl Necklace – |
Rabid Bliss
Written By – R. Noise / P. Ornot |
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| A3 | Loaded Angels, The* – |
Aquarius Rising
Written By – P. Fonda / P. Ornot / R. Noise |
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| A4 | Wolves Of The Sun – |
Last Night
Written By – P Stempfel / R. Noise / P. Ornot |
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| A5 | Essence (5) – |
Blue Heart
Written By – Miss P. Orrnot / R. Noise / P. Ornot |
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| A6 | Griselda – |
Oxygen
Written By – R. Noise / P. Ornot |
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| B1 | Over The Brink – |
Terminate
Written By – P. Ornot / R. Noise |
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| B2 | Vernon Castle – |
Youth
Written By – Vernon Castle / P. Ornot |
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| B3 | Nobody Uninc – |
Only Human
Written By – Nobody Uninc / Noise / Ornot |
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| B4 | Alligator Shear – |
Balkan Red Alert
Written By – A. Shear |
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| B5 | M.E.S.H. – |
Meet Every Situation Head On
Written By – R. Noise |
Produced By Noise/Or/Not
N.Y. remix by Noise/Or/Not at Boss Sound
This was also released as an individually numbered limited edition (1000pcs) picture disc with the same catalogue number.
| Title, Format | Label | Cat# | Country | Year | ||
|---|---|---|---|---|---|---|
| Acid Tablets Volume One (CD, Comp) | Castalia Recordings | ACID 001 CD | UK | 1988 | ||
| Acid Tablets Volume One (LP, Comp) | Stiletto | 230.4009 | Brazil | 1988 | ||
| Acid Tablets Volume One (LP, Pic, Ltd, Comp) | Castalia Recordings | ACID 001 | UK | 1988 |
Though some of the tracks on here are quite repetitive (although that was the idea of acid house after all), there are definitely a lot of clever and surprising moments across the album. Without giving it all away, "Over Thee Brink" is a great example of taking a theme (in this case war) and building on it in a trippy way so exaggerated only Psychic TV could have thought of it, using samples of bombs being dropped, a guy screaming "THIS IS A F***ING WAR!" and mashed up aeroplane samples which scrape across the speakers. The whole album seems to choose different themes in this way, take as many different sounds associated with it as they can, and then try to mix this into either a dance track or something that's just trippy and listenable, which works and surprises you most of the time. Other notable examples are "Balkan Red Alert", a more downtempo tune which almost sounds like an early trip hop track with its use of breaks rather than a 4/4 beat and unusual, mellow African influences, and "Blue Heart", an incredibly dark and psychotic house track with a carefully rolling bassline underneath off-key, sinister organ samples and a woman screaming in pain at different pitches whilst talking about the pain of her dreams.
On the whole, this album must have also been quite unexpected. P-Orridge had been known for dark, minimal industrial works, as had Psychic TV, and so suddenly choosing to take his project into the upbeat world of rave music must have been quite a surprising move, only a few other groups such as The Shamen and Severed Heads had dared to try moving in this way from the very different genres they began with to experiment with acid house sounds around this time. If you come across this unusual album, definitely give it a listen. It certainly is an influential example of how to not make flat and generic electronic music, even if it's not quite IDM.