Prodigy, The - Always Outnumbered, Never Outgunned |
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Tracklisting:
| 1 | Spitfire (5:08) | |
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Bass [Stab Creation] -
Matt Robertson
Vocals - J. Lewis* |
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| 2 | Girls (4:07) | |
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Vocals -
Magnificent Ping Pong Bitches, The*
Written-By - F. Cooke , Hubert Barclay Eaves III* , J. Martinez (2) , James Williams* |
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| 3 | Memphis Bells (4:29) | |
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Vocals -
Princess Superstar
Written-By - N. McLellan* |
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| 4 | Get Up Get Off (4:20) | |
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Co-producer -
Dave Pemberton
Vocals, Written-by [Vocals] - J. Lewis* , Shahin Badar , Twista |
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| 5 | Hotride (4:36) | |
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Backing Vocals -
Hannah Robinson
Bass - L. Howlett* Guitar - Scott Donaldson Vocals, Written-by [Vocals] - J. Lewis* Written-By - J. Webb* |
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| 6 | Wake Up Call (4:56) | |
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Flute -
Jim Hunt
Vocals [Additional] - Hannah Robinson , Louise Boone Vocals, Written-by [Vocals] - Kool Keith |
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| 7 | Action Radar (5:33) | |
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Guitar -
L. Howlett*
,
Mike Horner
Vocals [Additional] - Louise Boone Vocals, Written-by [Vocals] - Paul 'Dirtcandy' Jackson |
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| 8 | Medusa's Path (6:09) | |
| Written-By - N. McLellan* | ||
| 9 | Phoenix (4:39) | |
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Guitar -
Matt Robertson
Programmed By [Beats] - L. Howlett* Vocals [Additional] - Louise Boone Written-By - R. Van Leeuven* |
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| 10 | You'll Be Under My Wheels (3:57) | |
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Guitar -
Jim Davies
,
L. Howlett*
Vocals - Kool Keith Written-By - N. McLellan* |
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| 11 | The Way It Is (5:46) | |
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Mixed By [Recreation Work] -
Matt Robertson
,
Rinse (3)
Vocals [Additional] - Louise Boone , Neil McLellan Written-By - R. Temperton* |
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| 12 | Shoot Down (4:31) | |
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Bass -
N. Gallagher*
Bass, Guitar - L. Howlett* Guitar - Mike Horner Producer [Additional] - Jan 'Stan' Kybert* Vocals - Liam Gallagher Written-By - G. Stephens* , J. Carter* , L. Gallagher* , N. McLellan* |
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| Prodigy* - The Fat Of The Land (CD, Album) | Prodigy, The - Music For The Jilted Generation (CD, Album) | Prodigy, The - Experience (CD, Album) | Chemical Brothers, The - Dig Your Own Hole (CD, Album) | Prodigy* - The Dirtchamber Sessions Volume One (CD, Comp, Mixed, Dig) |
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goodonya, Dec 02, 2006 Cant say anything that hasnt already been said, but what surprises me is the level of narrow-mindedness in those bashing the record. Why would you expect your favorite artist to put out multiple albums of material that sound like the last several? Granted, this latest record is leaps and bounds different in terms of production. As far as the sonic quality that Howlett is known for, you are out of your MIND if you feel it is not on this album. 1990s Rave/breakbeat is long but dead. Times have moved more towards this new "electroclash" sort of sound and so be it. I have enjoyed every Prodigy LP for what its worth. They have forever placed their stamp on the scene and we all know this. This record is merely one end of the Prodigy spectrum (so to speak). Appreciate the change in the direction.Was the above review useful to you? (report)