David Holmes ‎– Lets Get Killed

Label:
Go! Beat – 539 100-2
Format:
CD, Album
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

1 Listen
Engineer – Keith Tenniswood
0:49
2 My Mate Paul
Engineer – Gary Burns, Keith Tenniswood Producer [Additional Production] – Gary Burns, Jagz Kooner
5:29
3 Lets Get Killed 7:28
4 Gritty Shaker
Engineer, Programmed By – Gary Irwin, Keith Tenniswood Vocals – Rodney Yates
6:40
5 Head Rush On Lafayette
Vocals – Deflon Sallahr
1:20
6 Rodney Yates
Producer [Additional Production], Vibraphone, Guitar, Engineer – Keith Tenniswood
6:24
7 Radio 7
Engineer – John Brough Guitar – Gem (2) Keyboards – Daphne Tragaki Remix – Richie Fermie, Tim Goldsworthy Strings, Brass – London Session Orchestra, The Written-By – Monty Norman
5:49
8 The Parcus & Madder Show 0:51
9 Slashers Revenge
Producer [Additional Production], Engineer – Keith Tenniswood
4:46
10 Freaknik
Guitar – Gem (2) Keyboards – Daphne Tragaki
6:45
11 Caddell Returns
Remix – Mat Ducasse, Toshio Nakanishi
5:42
12 Don't Die Just Yet
Guitar, Bass – Paul Noble Keyboards – Steve Corley Strings – London Session Orchestra, The Written-By – Serge Gainsbourg
6:43
13 For You 0:59

Companies etc

Credits

Notes

All tracks published by Island Music except track 7 published by EMI Music Ltd & track 12 published by Warner Chappell
Sticker on front: Parental guidance explicit lyrics

Barcode and Other Identifiers

  • Barcode (Text): 7 31453 91002 7
  • Matrix / Runout (Outer Ring): 539-100-2 01 >
  • Matrix / Runout (Inner Ring): MADE IN GERMANY BY PMDC
  • Other (Mould SID Code): IFPI 01M2
  • Rights Society: BIEM/MCPS
  • Label Code: LC 7192
  • Other (Distribution Code): PY 873

Other Versions (Showing 4 of 4) View All

Title, Format Label Cat# Country Year
Let's Get Killed (2xLP, Album) Go! Beat 539 100-1 UK 1997
Let's Get Killed (2xLP) 1500 Records 31453 9100 1 US 1997
Lets Get Killed (CD, Album) Go! Beat 539 100-2 Canada 1997
Lets Get Killed (CD) 1500 Records 31453 9100 2 US 1997
▸ show all 7 reviews

Reviews & Discussion

Review by sean_c Sep 04, 2008
I bought this album the other day by mistake because I thought it was a trance album by another artist called "Dave Holmes" not "David". After realising this when I got into my car I thought to myself, Oh no I bet this is going to be shite. Was just about to bring it back but said id give it a quick listen.And the result was truly amazing! From start to finish this album is a masterpiece that I would never have picked up only for it had been placed in the wrong section in the store I bought it in. I'm not even to sure how describe how great the tracks are but I just get so relaxed for some reason when I listen to it. I could lie down and listen to it all day! I love it!

Take care,

Sean.
Review by lukinova Jan 23, 2008
When Danny DeVito commissioned Irish producer David Holmes to provide the score for the film Out of Sight, he chose wisely. Holmes's gritty, urban dance music, first exposed on the sadly underrated The Film's Crap Let's Slash the Seats, is perfect for evoking scenes and atmospheres, yet it's interesting enough to stand on its own. For this album, Holmes and a friend wandered the streets of New York, collecting voices and noises; Holmes then assembled them into an imaginary soundtrack with the structures of modern dance music and the sonic qualities of rock and dub reggae. Let's Get Killed is a disjointed cut-up session that brings the grit and excitement of city life into your living room without leaving a drop of blood.
Review by chrisjohncool May 03, 2006 (edited over 6 years ago)
Rodney Yates is the crowning jewel of this fantastic,ground-breaking album and definitely ranks very high among my all-time faves.A small trivial thing:in the Aphex Twin remix of "Journey" from 26 Mixes for Cash,good old AFX uses the melody from Rodney Yates in great effect and really elevates an already splendid track.It`s not a reworking(something that I suspect many of us would die for),but you can listen to a great piece of music in another context.
Rated 5/5
Review by manchester Sep 18, 2005 (edited over 6 years ago)
Awesome inventive album that is certainly a dance music classic & one of the best albums of the 90s. Just have to say a word about the track Rodney Yates which is an absolutely fanatstic piece of future funk, which has the most amazing funky zylophone which is a certain head nodder, foot tapper & all round groover - never fails to please & is just a brilliant classic. I would love to have this on 12 inch but unfortunately he never released it as a single or as part of an EP, damn!
Rated 5/5
Review by martia Jan 15, 2002
very nice album. almost every track delites. especially the vocal intros, which have been taped in the streets of new york, before every song give a very urban feeling to this cd. "my mate paul" ist der wahnsinn, as the german says.

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