Review by Alain_PatrickAug 14, 2005(edited over 4 years ago)
Even if you have acquired the three singles ('The Hacker', 'The Act' and 'Connection Machine') containing this album's tracks, you should go after this historical Long Play.
The double-sleeve cover presentation is simply amazing: the out-of-the-usual images are finely combinated with also odd resumes of each one of the tunes.
Two of them, in special, are worthy of mention. 'Buried Dreams', a sinister minimal-ambient electronic masterpiece with sexual screaming samples and a the speech about the history of Elizabeth Bathory, the Countess of Blood (La Comtesse De Sang) and her life of blood-sadistic crimes on the XVIIth century.
'The Reign' appears as a far obscure EBM of slow BPMs whose environment of darkness is titled as 'A Happy Death' by the french writer Albert Camus in the cover resume.
One track on this is a very extended sample from the brilliant psychological thriller The Conversation, directed by Francis Ford Coppola. You would have to see the movie to understand why it's a brilliant sample and why Clock DVA are geniuses for using it. Very strange and abstract fellows here.
The double-sleeve cover presentation is simply amazing: the out-of-the-usual images are finely combinated with also odd resumes of each one of the tunes.
Two of them, in special, are worthy of mention. 'Buried Dreams', a sinister minimal-ambient electronic masterpiece with sexual screaming samples and a the speech about the history of Elizabeth Bathory, the Countess of Blood (La Comtesse De Sang) and her life of blood-sadistic crimes on the XVIIth century.
'The Reign' appears as a far obscure EBM of slow BPMs whose environment of darkness is titled as 'A Happy Death' by the french writer Albert Camus in the cover resume.