Hyper-On Experience* - Deaf In The Family (A Sad Title For An Otherwise Splendid EP)

Label: Moving Shadow
Catalog#: SHADOW 30
Format: Vinyl, 12", EP, 33 ⅓ RPM
Country:UK
Released:1993
Genre: Electronic
Style: Breakbeat, Hardcore
Credits: Artwork By [Design] - Flytronix
Mastered By - Simon*
Producer - Hyper-On Experience*
Written-By - A.Banks* , D.Demierre* (tracks: Y1, Y2)
Notes:X1, X2 & Y1 mixed at Purple Rain Studio, Yarmouth,
Y2 mixed in a shed at the bottom of the garden.
Mastered at The Exchange.
℗ 1993 Moving Shadow
© 1993 Moving Shadow Record Company
Barcode: 5 022208 000304

Etchings:
THE AFTER 12:30 SIDE.
SIMON THE EXCHANGE

THANKS TO: SAMPLE FRIENDS
PAUL FROZ, JAM MASTER JAY, CHRIS LOWETHORPE, KARL "THE NIGHT TRIPPA" TROSCLAIR, RICHIE, EDY, BEZ,
BILLY WHIZ, RICHARD "HAMMY" HAMILTON, SEAN HUMPFREY, BABY HARRIET.
THANKS TO: AARON, SCOTT, JASON & MARK, LEE, RICHARD, ALECOS, LUCY, ZENA, JANE & GRAHAM BANKS,
MARGRET, JERRY AND DEMIERRE FAMILY.
SPECIAL THANKS TO: PAUL "YOUNGIE" YOUNGMAN, RICHARD HAMILTON, AWESOME 3 (CHEERS FOR
THE HAT!), KOSMIK KOMMANDO, ROB "THE HAMSTER" PLAYFORD.

HYPER-ON EXPERIENCE ONLY EVER APPEAR LIVE!

HE CREW ARE: A.BANKS, D.DEMIERRE, FLYTRONIX, MC NATRAL, DJ COSYGROOVE

Samples on track A2 include:
- "there's a void where there should be ecstasy" from Useless by Kym Mazelle.
- "fucking voodoo magic mon" from the movie Predator II.
- "I like percussion" previously used on the intro to More Beats by Coldcut.

Synth line from Spiral Symphony by The Scientist.
Y2 samples ABC by Jackson 5 and Human Beat Box by the Fat Boys.
Rating: 4.81/5 (79 votes) Rate It
246 have this / 223 want this
5 for sale in the Discogs Marketplace

Tracklisting:

X1   Time Stretch
X2   Lords Of The Null-Lines
Y1   Imajika (Smiley Rock Remix)
Y2   Thunder Grip
User Reviews:
sti3, Dec 17, 2007

This represents the pinnacle of Hyper On Experiences kitchen-sink brilliance. The tracks themselves have so many changes and edits from start to finish that theyre almost impossible to mix. All the DJs played the Foul Play remix of "Lord Of The Null Lines", and its great to be sure, but I prefer the sheer uninhibited insanity of the original version. "Thunder Grip" and "Time Stretch" are gems as well, with the remix of "Imajika" being the only less-than-brilliant moment.

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