Label:	Nonplace
Catalog#:	NON10
Format:	CD, Album, Digipak
Country:	Germany
Released:	May 2002
Genre:	Electronic, Jazz
Style:	Dub, Future Jazz
Credits:	Artwork By [Cartoon] - Bernie The Bolt Artwork By [Sticker] - El Ebno Bass [Acoustic Bass Samples] - August Engkilde (tracks: 1, 3, 7) Drums - Jaki Liebezeit (tracks: 1 to 3, 5 to 9) Guitar [Lag Telecaster, Morley Pedals] - Joseph Suchy Mastered By - Raschad Becker* Piano [Hohner Kinder], Percussion [Dubbel-u-kay Steeldrum], Kalimba, Synthesizer [Korg Ms 20], Synthesizer [Korg Model 500], Melodica [Hohner], Arranged By, Mastered By [Premastering], Producer - Burnt Friedman* Vibraphone [1965 Deagan Aurora Vibraharp] - Morten Grønvad (tracks: 1 to 4, 7)
Notes:	Recorded between May and September 2001 in Cologne and Copenhagen. Mastered at Dubplates&Mastering. Cat.Nr. on back cover, CD and booklet is "non10", additional number on back cover is "NON 010". EFA 27309-2
Rating:	4.5/5 (27 votes) Rate It
Submitted by:	zach
2 for sale in the Discogs Marketplace

Tracklisting:

1		Rhein Rauf (6:27)
		Shaker - Jaki Liebezeit
2		Rechter Winkl (4:23)
3		Royal Roost (5:46)
4		Shades Of Soddin Orion (4:18)
		Gong - Jaki Liebezeit
5		Rastafahndung (3:40)
6		Gulli Verreisen (4:59)
		Dhol - Jaki Liebezeit
7		Wirklich (3:14)
8		Obscured By 5 (3:48)
		Bells [Hirschglocke] - Jaki Liebezeit
9		Obscured By 5 (Nonplace Rmx) (4:50)
		Remix - B. Friedman* , J. Suchy*
10		Obscured By 5 (Extended) (13:26)
		Bells [Hirschglocke] - Jaki Liebezeit

Recommendations:

Boards Of Canada - Music Has The Right To Children (CD, Album)	Burnt Friedman* - Plays Love Songs (CD, Album)	Burnt Friedman* - Con Ritmo (CD, Album)	Monolake - Cinemascope (CD, Album, Dig)	Autechre - Amber (CD, Album)
▸ 95 more recommendations

User Reviews:

scoundrel, May 12, 2004

Some quiet electronic jazziness with live drumming, courtesy of Burnt Friedman and Jaki Liebezeit. “Rhein Rauf,” the first track, exemplifies what’s to come on the rest of the album, Secret Rhythms. “Shades of Soddin’ Orion” has some ominous guitar strums with little percussive plops. The trifecta of “Obscured by 5,” the remix by Nonplace Urban Field (Friedman himself), and the extended version have a cumulative effect - - the extended version, especially, wraps things up nicely, utilizing the silence between the drums. Overall, however, the album drifts by a little too easily, without really grabbing one’s attention. A bit more focus for the next collaboration might be in order.

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