Lemon Jelly ‎– '64-'95

Label:
XL Recordings – IFXLCD 182, Impotent Fury – IFXLCD 182
Format:
CD, Album
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

1 It Was...
Vocals – Don Eduardo Astorga
0:24
2 '88 aka Come Down On Me 5:50
3 '68 aka Only Time 6:36
4 '93 aka Don't Stop Now 6:56
5 '95 aka Make Things Right
Vocals – Terri Walker
5:59
6 '79 aka The Shouty Track 3:41
7 '75 aka Stay With You 6:11
8 '76 aka The Slow Train 5:40
9 '90 aka A Man Like Me 5:16
10 '64 aka Go
Vocals – William Shatner
6:31

Credits

Notes

This is the standard jewel case edition of the album.

Published by Sony / ATV Music Publishing.

Sample credits as follows:
2: contains elements from The Blue Garden by Masters Of Reality
3: contains elements from If I Only Had Time by John Rowles
4: contains elements from Waterfall by Atlantic Ocean
5: contains elements from Before You Walk Out Of My Life by Monica
6: contains elements from Horror Show by The Scars
7: contains elements from I Wanna Stay With You by Gallagher & Lyle
8: contains elements from The Slow Train by Flanders & Swan
9: is an adaptation of Sensitivity by Ralph Tresvant
10: contains elements from Ringo by Lorne Green

Barcode and Other Identifiers

  • Barcode: 6 34904 01822 1
  • Other (Label Code): LC 05667

Other Versions (Showing 5 of 6) View All

Title, Format Label Cat# Country Year
'64-'95 (CDr, Album) XL Recordings none UK 2005
'64-'95 (5x10") XL Recordings, Impotent Fury IFXLLP 182 UK 2005
'64-'95 (CD, Album, Mixed, Ltd, Tri) XL Recordings, Impotent Fury IFXLCD182X UK 2005
'64-'95 (CD, Album, Tri + DVD) Sony Music Entertainment (Japan) SRCP 381-2 Japan 2005
'64-'95 (DVD + Box) XL Recordings, Impotent Fury IFXLDVD 182 UK 2005

Recommendations

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Reviews & Discussion

Rated 3/5
Review by scoundrel Oct 24, 2005 (edited over 6 years ago)
The third album from Lemon Jelly, '64-'95, has some of the high points that made their collection of EPs a standout, but it's also rather uneven. The rock elements of "'88 a.k.a. Come Down On Me" seem a bit overblown, but it's quickly remedied by the calm folk-funk of "'68 a.k.a. Only Time." "'93 a.k.a. Don't Stop Now" reminds me a bit of Josh Wink's early acid work but without the tweaking that made it interesting; instead, the track meanders a bit aimlessly. "'95 a.k.a. Make Things Right" gets things back on the right path, but "'79 a.k.a. The Shouty Track" takes another wrong turn. The housier rhythms and catchy groove of "'75 a.k.a. Stay With You" make it a definite high-point. And "'76 a.k.a. The Slow Train" breaks the "good track, bad track" streak with a track that stands up pretty well, and "'90 a.k.a. A Man Like Me" keeps up the winning streak. Can I, with good conscience, recommend an album where about half the tracks are brilliant and the other half are dire? Sure, if the highs are high enough, and with '64-'93, it's high enough. But just barely.

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