Mastered at National Sound Corporation, Detroit.
Approved by 66 for Interplanetary Disco Dancing & Accenting Passionate Quadraphonic Sex Sounds. Techno for masses. Tested at Selected Space Labs.
Run-out groove A-side: No hype, But Reality! Made in Detroit
Run-out groove B-side: IN MEMORY OF MILES DAVIS - YOUR MUSIC GAVE US ALL HOPE OF DOING HOT MUSIC
Re-pressed 2004.
Note: 'Ladies And Gentlemen' contains a sample from the intro of 'Little Child Runnin Wild' by Curtis Mayfield.
Alain_Patrick, Aug 04, 2007
One of Carl Craig’s seminal projects of the nineties. Sixty Nines tunes brought an amazingly broad & eclectic perspective to the World of underground electronic music. "4 Jazz Funk Classics", from 1991, Honored the Breakbeats & Jazz-Funk influences, still with great futuristic-electronic perspective. This is his start as 69, acclaimed by the specialists. "Ladies & Gentlemen", the opening tune, had sweet synths and percussion, with a sudden bassline storm and space effects causing a severe impact on the audience, meant to put the intense listeners into total hypnosis; absolutely perfect for a rave climax, the tune also surprises with a mega breakbeat at the drop out (probably sampled by an old school break standard) - followed by the bassline nightmare on the sequence. "If Mojo was a.m." reminds the legendary Electrifying Mojo, who used to play magnificent sets on a Detroit Radio at nights during the eighties that influenced all the techno pioneers. Carl Craig did this music with very well made percussion, a fine bass and of course a sense for the underground. "My Machines pt 1 & 2" is a mixture of experimentalism, bleep synths, modulations, and abstrack breaks at the drop out. The "Frequency Finale" is fast, strange, and pure panic, in a pandemonium of 303; it was inspired on Visages seminal classic "Frequency 7" (that even Mojo would play on his Radio Sessions). A Grand finale!